An Unfinished Love Story by Doris Kearns Goodwin

This is a detailed review of the 1960's through the eyes and experience of the author and her husband, who recently died. Let me start by saying that while I did not love this book, most people I know who have read it did. The author is an excellent writer, and her husband of 40 plus years and she had non-overlapping but equally impressive careers that involved the presidents for a bulk of the decade, so it is an intimate look behind the scenes at government in action at a time of great change for the country. My first bone to pick with this is the title--this may have been motivated by trying to tell a story about the love of your life, but that is not at all what it is. It is a recounting of the Kennedy and Johnson presidencies from the inside. Dick Goodwin worked with the Kennedy campaign, and then within the White House as Kennedy's speech writer, but also spearheading some of the major public policy projects of the Kennedy administration. There are some fascinating behind-the-scenes insights and observations that are definitely one of a kind perspectives. She went through her husband's voluminous boxes of memorabilia from this era to write this book, and she did so while he was alive, so he could both comment on an clarify as she developed and evaluated the material for the book, and the uniqueness of that comes through clearly. I would recommend it and I might have liked it better if I hadn't just read Robert Caro's The Passage of Power, which minutely covers this era as well.

Left Handed Girl (2025)

This entry into the International Film category by Taiwan was shortlisted for an Oscar, but learned today that they did not make the cut. It is well worth watching, none-the-less. The title centers on a cultural superstition, that left handed people are sinister. I-Jing, an angelic appearing five-year-old who has just moved back to Taipei with her mom and older sister, gets literal firsthand experience when her grandpa admonishes her for using her left hand for everything – it’s not natural; it’s the devil at work, he says. ‘The left hand is the devil’s hand’. I-Jing, a sweet five-year-old who has just moved back to Taipei with her mom and older sister, gets literal firsthand experience when her grandpa admonishes her for using her left hand for everything – it’s not natural; it’s the devil at work, he says. The scenery, all shot on an iPhone shows both a glitsy and a gritty Taipei. It summons the frenetic energy and sensory experience of Taipei. There are bright red Chinese characters overtaking the glass windows of a pawn shop; the pleasant melody of trash-collecting trucks; lush trees against grimy buildings that can nearly make you smell the specific essence of a bustling, wetter city. It pairs the kaleidoscopic fragments of the city with the splinters of imperfect people – poignantly and tenderly showing what it means to be a family in Taiwan. The story goes like this. Shu-Fen has set up a night market noodles stand, and her volatile daughter I-Ann left high school and works at a betel nut stall, where she’s sleeping with her boss. I-Jing, played by a very charming Nina Ye, starts a new school and, with the wonder only a child can have, tests out the potential of this newly anointed devil hand. The story that unfolds is a familiar one, but the telling of it is what makes this stand out.

Awake by Jen Hatmaker

I picked this up because it is on the New York Times 100 Notable Books from 2025. It is a memoir about the author's public break up of her marriage in 2020 after she discovered that her spouse of 20 years was having an affair. There are some things that made this a bit different. The first is that Meanwhile, both Jen and Brandon Hatmaker were Christian celebrities. Brandon Hatmaker was a pastor, and Jen Hatmaker was a frequent speaker at the church they planted together. They starred in an HGTV show about their home renovation, and spoke publicly about international adoption (two of their five children were adopted from Ethiopia). Jen Hatmaker became a popular speaker and writer in her own right, as well as her podcast, For the Love. She wrote about the Bible, marriage, and parenting in a breezy, humorous voice. Her books attracted a following among Christian women seeking a faith that was honest and authentic rather than rigid and rules-focused. Jen Hatmaker had a loss of confidence in her faith after a marriage that was very much rooted in the church blew up in a spectacular and unexpected way, but it wasn't her first public struggle. She suffered from backlash within the evangelical world in 2016 when she began publicly questioning the policies of the first Trump administration and speaking out about racism among white American Christians like herself. Her reputation took a further hit when she talked about fully affirming LGBTQ people and relationships. But in return for cancelled speaking engagements and books pulled from the shelves of religious bookstores, she attracted a new audience of people open to a broader, more inclusive vision of Christianity. In this memoir she acknowledges she is no longer engaged in formal religion but chronicles all the way she has grown and recovered from what her husband did. It is an interesting and well written read.

The Smashing Machine (2025)

The true story of mixed martial arts and UFC fighter Mark Kerr, whose obsession with greatness drove him to be a legend, and he ehlped create what the sport became. He is also largely unknown, and this is an attempt to rectify that. Let me start off by saying two things--I am not a fan of MMA and I did not like this movie. The two might be related, so I am putting that on the table up front. That said, this is kind of the antithesis of a sports legend movie. It is gritty and it doesn't step away from the hard stuff. A couple of reviews that I read pointed out things that make it different. Whereas most films about sports icons reach for immersion, this film takes an observational approach. Notice that almost every fight scene in this film is shot from outside the ring, the ropes often breaking the image into chunks, or from above, giving us the POV of a camera instead of putting us into the action. The music is either pop/rock tunes or a non-stop jazzy score, both serving to remind you consistently that you’re watching a movie. Dwayne Johnson plays Kerr with some heavy make-up—which both hides The Rock nd draws attention to its setting in the years 1997 to 2000. Fans of the currently robust sport will marvel at the lack of structure and profile it had in its early days, known more for its brutality than its athleticism. The UFC wasn’t popular, and there is what happened, which is that Kerr's coach became a figher again in order to pay the bills and they came close to fighting each other. The film also highlights the steroids, the recreational drugs, the risk of opiate addiction in a sport that invovles a lot of pain, and the chaos both in and out of the ring.

The Serviceberry by Robin Wall Kimmerer

I read this as a fulfillment of one of the 2026 Goodreads reading challenges--it fulfilled a category that was hard for me because I had read about 80% of the books that qualified already. Otherwise I would likely not have found this. It is about looking inwards, building with what you have and being grateful and appreciative for what you have. When you look at a berry, the serviceberry is featured here, but any wild berry will do--what do you see? In her latest book, the US botanist and author views a tiny fruit through all of these that it does--it feeds the wild life around it, who in turn help it to spread when you expel the seeds, all the interconnected ways a berry becomes an integral part of our world. Then she goes on to illuminate the much bigger questions about how we humans relate to plants, to the natural world and to each other. The author is a university professor, a botanist, and a citizen of the Potawatomi nation, and she is becoming one of the best known environmental writers working today.

One Battle After Another (2025)

This is the movie of the year so far. It opens with the kind of momentum usually reserved for the climax of an action film and barely slows down from there. A revolutionary group known as French 75 is initiating an operation on the Mexico-U.S. border, where they take the officers hostage and release the immigrants awaiting processing. The group is led by Perfidia Beverly Hills (Teyana Taylor), a confident force of rageful nature who finds the leader, Colonel Steven J. Lockja, and sexually humiliates him before walking him out of the base. The encounter launches a psychosexual obsession with Perfidia, someone whom he sees as beneath him because he’s a racist monster, but someone who he also wants to sexually control him. He essentially stalks Perfidia as she continues to lead the resistance with her partner Bob Ferguson. When the two eventually have a child named Willa, Bob sees that they have to get out to protect the baby and Perfidia instead stays, gets caught, and burns everybody after Bob is safely put away in a small town. Cut to 16 years later, Willa is a teenager, and Bob is a single father, still doing what he can for the revolution but equally worried about taking care of his daughter. Lockjaw remains obsessed with the pair, initiating a series of raids and operations on French 75 members that forces Perfidia’s former ally Deandra into action, exfiltrating Willa from a high school dance. The end becomes a kind of chase scene, with excellent cinematography and a score to match. There is a lot to unpack here in terms of the culture clashes in present day, which seem remarkably similar to the days of old, and it is very well done.

The Containment by Michelle Adams

This is subtitled: Detroit, The Supreme Court, and The Battle For Racial Justice In The North. I was interested in this topic--when I was in 6th grade in the early 1970's my school district in Pasadena, California desegregated, and not without challenges. There was a lot of negative energy around it, but my parents sat me down and asked me what I wanted to do, and we agreed to give it a try. For three years I was bussed to a school that was majority black and brown students and I had a life changing science teacher who lit a fire under me about just how cool the subject was and changed the course os my life. This book takes place years after Brown v. Board of Education was decided in 1954 and looks at the effort to change Detroit, the first northern locale to be brought to court. The U.S. Supreme Court remained committed to integration in the face of widespread protests, administrative game playing and other forms of resistance deployed throughout the South. Fed up with the region’s intransigence, it unanimously declared, in 1968, that such delays are no longer tolerable. The court went a step further in 1971. Granting federal judges broad discretion to desegregate schools — including busing, if necessary — the justices unanimously affirmed that their support for desegregating schools. The book’s section on institutional racism is most illuminating and paints a telling picture of why, without judicial intervention, integration was out of reach in many metropolitan areas. In contrast to the easily identifiable Jim Crow mandates prevalent in the South, bigotry in the North occurred largely out of sight, where public and private actors fueled the discriminatory housing practices that underpinned educational segregation. Real estate agents concealed listings in White neighborhoods from Black home buyers. Many houses included racial covenants, and federal housing agencies redlined Black neighborhoods. This dynamic hid in the gray areas of law and politics. And most tellingly, all of this seems very relevant and not that different 50 years on.

Mr. Nobody Against Putin (2025)

This documentary is short listed for the 2026 Oscars and is an easy way to see just how destructive to a society totalitarian regimes are. Putin is putting a generation of Russians at risk, and for what? Much like his American counterpart, it is all about his ego and nothing about his country. This is an easy way to see that. It is a clandestine collaboration between high-school video-maker Pavel “Pasha” Talankin and Copenhagen-based American director David Borenstein. Talankin clearly loves his job as a teacher, events organiser and official videographer at the biggest high school in Karabash, a remote industrial town nestled in the Urals around 1100 miles east of Moscow. Although Karabash is infamous for its toxic climate and short life expectancy, Talankin expresses only deep fondness for his shabby home town and its citizens. Already a compulsive video diarist, Talankin is well-placed to document the official wave of pro-military propaganda that sweeps Russia following Putin’s invasion of Ukraine in February 2022. These Kremlin-imposed changes heavily impact the school routine, where a new “patriotic education” curriculum forces glum-faced students to take part in daily flag-waving ceremonies, study revised pro-Russian history books, join paramilitary youth clubs and even attend lectures by Wagner Group mercenaries. If these methods sound familiar, most are throwbacks to the darkest days of the Soviet Union. Children are once again being brainwashed to blindly obey a ruling party elite. In the case of adolescent boys, they are also being groomed for imminent military conscription. This timely documentary offers a highly personal, emotional charged insider’s view of how Putin’s ongoing imperial aggression is proving corrosive and divisive on the domestic front, destroying young lives and forcing even mild-mannered educators to risk everything by speaking truth to power. Talankin is now living in exile for his own safety.

Taiwan Travelogue by Yáng Shuāng-zǐ

I took this out of the library because I was looking for a travel memoir about Taiwan. My spouse and I are in the early stages of planning a vacation there, and thought this would be perfect--but in fact it is not so much a travelogue as a work of fiction that is set in Taiwan, to be sure, and there is a fair amount of travel and food described, but it is not a memoir. It did, however, win the National Book Award for translated fiction, and was interesting, set in the 50 years when Taiwan was part of Japan. Here is the story: Aoyama Chizuko is a young Japanese writer whose book has been adapted for film and has therefore become relatively successful. She is invited to run a sort of lecture tour, introducing the film for schools and associations throughout Taiwan, known as the Island during Japanese expansionist times, while Japan is referred to as the Mainland. She also has to write some articles about her travels throughout Taiwan, although she does her best not to get coopted into the glorification of Japan’s Southern Expansion policy. She has a reputation as a bit of a glutton, and she soon wants to explore all the sights, smells and tastes that the colourful Island has to offer. After initially being escorted by the rather stiff government official Mishima, she is assigned an interpreter, a former schoolteacher, whom she soon befriends and addresses as Chi-chan. Chi-chan has no qualms about travelling around the island and introducing Chizuko to all the delicacies of the local cuisine, as well as some of the culture and history of Taiwan. And so it goes, each chapter covering a dish and a bit of history of the island.

Homebound (2025)

This movie is short listed for the International film category for the 2026 Oscars, and it is well worth watching--I really loved it. It is a story of friendship and tragedy. Chandan Kuma is a Dalit from what used to be called the “untouchable” caste, and his best friend Mohammed Shoaib Ali is a Muslim. The both come from dirt poor families and are facing few options to improve their lot unless they migrate to a city or go abroad. Indeed, Shoaib has just turned down a chance to work in Dubai. Chandan and Shoaib take the exam to qualify for the police academy on the same day, but bureaucracy being what it is they have nearly a year to wait for their results. They face limited choices for success which is based not on their talents but on their station at birth--the message is very clear that while there has been some movement on that front in India, the chances are still quite slim for success. The two of them part and come back together for a variety of reasons, and then COVID strikes and it all changes quite dramatically. The script is excellent, the cinematography equal to the task, and it is worthy of watching--also it is streaming on Netflix.