This painting is in the National Gallery in London, and should definitely not be missed if one is nearby it. And the museum is free, so no excuses.
This was likely painted in 1889. Van Gogh had spent the last months of 1888 living and
working with fellow Post-Impressionist artist Paul Gauguin. He had
hopes of founding a utopian artists’ collective, but his health and
relationship with Gauguin quickly deteriorated. In December, he was
taken to the Arles hospital after a self mutilation. It is thought that Van Gogh painted Two Crabs right after his release from
this hospital. He’d gone through a traumatic experience, but, as he
explained in a letter to his brother Theo, he was ready to “get back
into the habit of painting.”
It’s this transition period that Two Crabs captures so well. Its
composition is made up of vibrant hatching brushstrokes called “taches.” The crabs’ crisp edges
and van Gogh’s juxtaposition of complementary colors make it seem like
the scene could move. The green, sea-like background undulates while
the upper crab flails its legs. With the ground tipped almost
vertically, the crabs look like they could tumble out of the painting at
any second. Whether intentional or not, van Gogh was in effect
illustrating his own tumultuous and uncertain situation at the time.
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