This week's art is from the National Gallery in London. It is a bold and beautiful painting that has lots of texture as well as luxurious and bold color.
Once the domain and hunting ground of kings, the Forest of
Fontainebleau, some thirty-five miles southeast of Paris, is where
French landscape painting and photography took root. Rough and
unspoiled, the forest was exalted as an example of nature in its purest
state. Its distinctive terrain — verdant woods, magnificent old-growth
trees, imposing rock formations, and stark plateaus — offered a wealth
of motifs that attracted painters and photographers alike. The forest
was such a point of national pride that a portion of it was set aside in
1861 as the first nature preserve in history.
A decade after the introduction of photography in 1839, photographers
such as Gustave Le Gray arrived in the forest, similarly seeking to
capture the ephemeral moods of nature. Often working side by side,
photographers and painters inspired each other to explore new ways of
representing landscape. This exhibition brings together paintings,
pastels, and photographs, as well as artists’ equipment and tourist
ephemera, to celebrate the dynamic relationship between artists and
locale at a crucial point in history when a new modern art was forged in
the Forest of Fontainebleau.
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