The much awaited second book by this author has magical realism features, like her first book, but this is set in the late nineteenth century in the American West.
There are two intertwined tales. The book begins conventionally enough, with the story of an outlaw,
Lurie, who is on the run. The twist lies in Obreht’s affinity for
unusual transformations. He has a brief career as a gang member before falling in
with the US Camel Corps on its way from Texas to California. While I knew nothing of it, the Camel Corps was
a short-lived experiment introducing the animals into the US army as
beasts of burden, manned by drivers from the Ottoman empire. Misidentified as a Turk in wanted posters, Lurie finds that his ambiguous
ethnicity provides the perfect cover for a new life.
Lurie is just one of many wounded trying to remake themselves in a
terrain whose emptiness serves as a clean slate for fantasies of
conquest and escape. It’s interwoven with the tale of a single day in the life of Nora, a
frontierswoman. She is doing her best to get through the Arizona
drought as she waits for her husband to return from town with water. She
is at home with her young son, her paralized mother-in-law and a servant girl who is convinced she has seen a strange beast prowling
about the property in the night.
Nora
has her own ghosts, as she talks
constantly to the spirit of her daughter, lost to heatstroke as a baby,
while regretting the failed ideals that brought her family west. The portrayal of the American West as wild, dangerous, and prone to hallucinations is well told.
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