Raising Hare by Chloe Dalton

This is a peaceful book, one that focuses within rather than without. On the one hand it is a memoir of a time and of a relationship that seems like it might fit better in a children's picture book than in a grown up reflection. It is so beautiful that I felt transported by it. The setting is the English countryside, the time is COVID, and the relationship is between a woman and a hare. Things are in lock down and people are not seeing much of each other. Enter the leveret, a baby hare, which is both a magical interloper and harbinger of transformation. The author finds the creature lying on a country track outside her home, seemingly abandoned. From the outset, she is conflicted about whether to rescue the hare and take her into her home or let nature take it's course. She relents, though she places certain restrictions on their relationship: she does not name the animal, tries not to touch it, and does not, except briefly, confine it (it can leave the house through a specially constructed flap). Over the course of the book they develop a remarkable relationship with its own language; not, of course, a human language, but one of gestures, movements and exhalations (hares, we learn, emit soft, puff-like sounds). Dalton has a zoologist’s eye for detail combined with a poet’s sensitivity to descriptive language; she conjures the beauty, the allure and variation of the hare’s sounds, mouth, eyes and fur, which changes with the seasons and marks the passage of time. Her language is shot with such intense tenderness and emotion--she cares deeply about what happens and as a result, so do we. This is a breath of fresh air in a chaotic time.