For a change, this is not a stylized replica of an existing genre, but rather a broader commentary track about the movie industry, looking back to what is essentially it's middle years.
It is ambitious and at the same time entirely ordinary. For in setting his story on three very specific days
in 1969, the writer-director also brushes up against the specter of the
Charles Manson murders, the impact this threat had on that community,
and the seismic shift happening in the Southern California culture
during that era. Working class stiffs like blue-collar stunt man Cliff
Booth (Brad Pitt) or fading character actor Rick Dalton (Leonardo
DiCaprio) counter-balance the rise of the counter culture, leaving those on the downhill side of their careers to fight to
hold on to what they had. And then there is the revisionist history, just so you don't forget that it is a Tarantino movie. Not my choice in any category it is nominated in.
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