Left Handed Girl (2025)

This entry into the International Film category by Taiwan was shortlisted for an Oscar, but learned today that they did not make the cut. It is well worth watching, none-the-less. The title centers on a cultural superstition, that left handed people are sinister. I-Jing, an angelic appearing five-year-old who has just moved back to Taipei with her mom and older sister, gets literal firsthand experience when her grandpa admonishes her for using her left hand for everything – it’s not natural; it’s the devil at work, he says. ‘The left hand is the devil’s hand’. I-Jing, a sweet five-year-old who has just moved back to Taipei with her mom and older sister, gets literal firsthand experience when her grandpa admonishes her for using her left hand for everything – it’s not natural; it’s the devil at work, he says. The scenery, all shot on an iPhone shows both a glitsy and a gritty Taipei. It summons the frenetic energy and sensory experience of Taipei. There are bright red Chinese characters overtaking the glass windows of a pawn shop; the pleasant melody of trash-collecting trucks; lush trees against grimy buildings that can nearly make you smell the specific essence of a bustling, wetter city. It pairs the kaleidoscopic fragments of the city with the splinters of imperfect people – poignantly and tenderly showing what it means to be a family in Taiwan. The story goes like this. Shu-Fen has set up a night market noodles stand, and her volatile daughter I-Ann left high school and works at a betel nut stall, where she’s sleeping with her boss. I-Jing, played by a very charming Nina Ye, starts a new school and, with the wonder only a child can have, tests out the potential of this newly anointed devil hand. The story that unfolds is a familiar one, but the telling of it is what makes this stand out.