Sinners (2025)

This was the winner in the category of most Oscar nominees in 2026, and also for the most nominees ever. Even considering that one of them is in a new category, it is an impressive showing. I haven't watched every movie in every category as of yet, and I haven't seen what might have made it but didn't (although a number of them are in categories for which there is a short list, so we can see some of what are the "Also Rans"), but it is a good movie. Is is also A LOT. It has a lot of violence, a lot of murder, a fair amount of sex, a lot of music, some romance, and a lot of symbolism all turned up to the loudest level. It is about black people in the Jim Crow South, so it is set in a time where racism is also a lot. Set in 1932 Mississippi, Sinners follows two twin brothers known as Smoke and Stack as they return home after working for the bootleggers in Chicago. Both twins are played by Michael B. Jordan, who plays the brothers in such a way that it becomes easy to tell the two apart based on their subtle mannerisms. The costume department helps with the visual cues, with Smoke wearing blue and Stack red, but by the halfway point, you don’t need the visual cues to help know which twin is which. Huge testament to Jordan’s acting is that tell them apart. I am not going to go in to the horror aspects of the plot beyond saying I pretty much never watch horror movies and this was well done. Music plays much more of a key role than I was expecting. It’s not only there to set the tone and mood of the era, but it’s actually a plot device. This is a romping, stomping ode to the 30s era Southern Blues, and the composer, Ludwig Göransson, really tapped into its spirit both with his score and the compositions heard within the film itself. A lot of the music was recorded on-camera, giving it a raw and unfiltered feel. The highlight of this musical talent is for sure Preacher Boy, played by first-time actor Miles Caton. Wow, what a discovery. Not only can the man sing, but his character, cousin to the twins, was the heart of the film in a way as an ambitious youth who yearns to play music, something that his preacher father does not approve of. This is worth seeking out, it is very very good.

Weapons (2025)

I was able to watch this on a recent flight with an excellent in flight screen, and while I am not a fan of the horror genre, this was very well done and genuinely creepy. I may be in a decided majority, but I love watching movies in the air, especially when I score a seat with a large screen. It just makes travel so enjoyable. One thing is that it’s not overly difficult to read the inciting incident of the movie as a school shooting allegory. In this case, 17 children got out of bed at 2:17 a.m. and ran into the night, their arms slightly outstretched and look identical. They are captured on doorbell cams, which is a great way to see that they wer not led away by someone, but rather that they seem possessed. It’s a chilling image, one that tears a neighborhood apart, revealing the rage and horror behind the picket fences. So the teacher Justine Gandy, who is young and earnest, comes into school the next morning to find her entire classroom absent. Well, not entirely. One child, a quiet kid named Alex , didn’t leave his house that night. Why? Instead of going down that investigative avenue to its end, the town chooses to weaponize its hatred for Gandy herself, labeling her a witch. She must have done something. Or she must know something. The movie unfolds in a kind of controlled chaos, and comes to a surprisingly unexpected end. It is both terrifying and enjoyable simultaneously.