Stitched Shibori by Jane Callendar

Shibori is a traditional Japanese resist-dyeing technique that creates beautiful patterns on fabric by binding, stitching, folding, twisting, or clamping cloth before dyeing, usually with indigo. The bound areas resist the dye, leaving white patterns, with methods like itajime (clamping), kumo (spider), and arashi (pole-wrapping) producing unique effects. The unpredictability and integration of imperfections are key to the art, making each piece unique, and it's used on natural fibers like cotton and silk. This book is a fantastic How To book. The following comes directly from her website, with lots of information. Resists can be created by pulling up the threads of prepared hand stitched fabric. Any number of looks can be achieved and floral, organic, geometric patterns and textures are all within the realms of hand stitching. On a single layer of fabric hira-nui shibori can produce shibori ‘drawings’, designs or linear patterns and can be used to create sugi-nui stripes. Working on folded fabric with hishaki-nui stitching which drifts away from and then back to the fold, differing symmetrical shapes occur to form linear patterns. A more considered approach results in many variations of Hinode, the Sunrise pattern. Compositions can be created with ori-nui shibori which is also traditionally used to create the marvellous Tatewaku pattern of undulating lines. ADVANCED STITCHED TECHNIQUES Advanced stitched shibori techniques include a range of miru shibori shapes and the circle is used in various placements for Karamatsu, the Japanese larch pattern. The ori-nui technique is further developed to produce elliptical awase nui shibori and another development which brightens the resist is kamiate shibori. Both approaches can be used for the complex shippō-tsunagi pattern of linked circles. Any number of renditions can bring about exciting new motifs.

Train Dreams (2025)

Paraphrasing one of my family members, nothing much happens in this movie but it is beautiful to watch. It is nominated in several categories for the 2026 Oscars, including Best Picture (no chance) and Best Cinematography (also no chance I think, but it has a way better shot at it because the film is gorgeous to watch in a lush outdoor kind of way). This is a film of echoes--across years, across place and across time. It generation-spanning, which means that there is a lot of change afoot and so as one gets older, one feels left behind, from a time and place that no longer exitsts. It takes place in the Pacific Northwest in the early 20th century, and life & death intertwine in the duality of the symbol of the train, something that represents both progress and destruction. The railroad tracks that expanded their way across the United States in the 20th century both made the world smaller by connecting people and altered the landscape by cutting down trees that had been there for centuries to do so. Working from a novella by Denis Johnson, the film telsl a story of an ordinary life in an extraordinary way, a man who believed his existence was shackled by guilt and trauma. A birth-to-death character study, it is a meditation on the beauty of everyone and everything, how we are connected to both the earth and those who walked it before us. Joel Edgerton does a remarkable job playing Robert Grainier, a stoic man who marvels at the changing landscape in his work as a train laborer, someone who cuts down trees, pounds tracks into the ground, and even helps build bridges, often away from home for months at a time. Much of his story is told via a narrator, whose voice is something both soothing and powerful at the same time. It has A River Runs Through It vibe. He speaks for the often-silent Robert, telling us about formative encounters on the job, including a key moment when a Chinese immigrant was murdered. Robert considers for the rest of his life if his inaction at that moment led to the tragedies that would befall him. Though it is set about 100 years ago it is barely recognizable, and in the subtext drives home the fact that violence and racism are embedded into the fabric of the country and what is happening in 2026 America is a slippage back to that time and place.

Good Things by Samin Nosrat

Wow, this is everything that you would expect from Samin Nosrat and more. Her first book, Salt Fat Acid Heat, is a game changer for how to think about cooking and food preparation. The unique thing about that book is that there are not so much recipes as there are ingredients that go together and how to balance the dishes that you make. So this cookbook is a bit different because there are traditional recipes, especially for sauces and dressings, but also other dishes--but what makes this different is that once you make the back bone recipe that are a myriad of things to do with it. So it is a combination of traditional and what I think of that is unique and special about this chef's approach to food. This is a book that should be read before you dive into it--she has a style that is well worth immersing yourself in before you take a stab at replicating what she has on offer. I highly recommend this, especially if you want to experience this fun way of approaching and thinking about feeding yourself, your family, and your friends.

Butterfly (2025)

This short animated film is nominated for the 2026 Academy Award in that category. It depicts the life of Jewish French swimmer Alfred Nakache, who competed in the 1936 Berlin Olympics in Nazi Germany. It begins peacefully enough. In the sea, a man swims. It is quite beautiful at first. But as he continues, memories come to the surface. From his early childhood to his life as a man, all his memories are linked to water. Some are happy, some glorious, some traumatic. This story will be that of his last swim. It will take us from the source to the river — from the waters of childhood pools to those of swimming pools — from a North African country to the shores of the Mediterranean in France — from Olympic stadiums to water retention basins — from concentration camp to the dream beaches of Reunion. He experiences glory and humiliation. The joy is from his love of swimming--the butterfly stroke--and he is denigrated for his religion and the color of his skin. It could not come at a better time, when the United States government is killing people based on the color of their skin. Again.

The Personal Librarian by Maie Benedict and Victoria Christopher Murray

This is an ordinary fictional biodrama about a truly extraordinary woman. So it is well worth reading even though it is not spectacular literature. This tells the life of Belle da Costa Greene, born Belle Marion Greener, who was a Princeton-educated librarian who lands a high-profile job with steel magnate J.P. Morgan. She had an illustrious career that was all the more remarkable because she was a woman. She successfully out maneuvered everyone to build a world class and widely renowned collection that went from private to publicly available after the death of J.P. Morgan. Even more remarkable is that what J.P. and the elite New Yorkers she encounters do not know is that Belle is a Black woman passing as white. Belle quickly learns that being white will not allow her to overcome prejudices against women working in the male-dominated field of art and rare book collecting. She also learns at a party at the Vanderbilt mansion that women in this world are bold and use flirtation as social currency, an approach that runs counter to the modesty and invisibility Genevieve, Belle’s mother, has always advised. In several flashbacks, the reader learns more about Belle’s history. Belle’s parents, Richard and Genevieve, had a promising start in life. They were free blacks before the Civil War, and in the brief but heady time of Reconstruction, they had great opportunities. Richard, the first Black man to graduate from Harvard, married Genevieve, the beautiful and ambitious daughter of the elite Fleet family of Washington, D.C., and moved his family to South Carolina so he could work as a philosophy professor at an integrated state university. The family later left under threat of lynching when Reconstruction ended in the South and the school became segregated. Genevieve never forgot the precariousness of that time. Once the family moved to New York, she listed the family as white to avoid ejection from their fine New York apartment. When Richard discovered this lie, he abandoned the family. From that moment, Belle became the focus of Genevieve’s ambitions to secure the family’s financial future—by passing them as white. It decribes the ins and outs of why this was both painful and profitable to do.

Bugonia (2025)

This movie is bizarre and in the end, unexpected. It is a casually black comedy in the vein of the Scandanavians. The driving forces are a paranoid beekeeper and a stereotypically amoral biomedical CEO. The apiarist, a sweaty, dirty, and smutty Teddy (Jesse Plemons), teams with his impressionable cousin Donny (Aidan Delbis) to kidnap Michelle Fuller (Emma Stone), believing she’s an alien from the Andromeda species intent on destroying humanity. Their theory comes from conspiracy podcasts, crackpot online sources, and Teddy’s own experimentation. The pair’s plan will require them, in the words of Teddy, to cleanse themselves of their “psychic compulsions.” The success of the film requires the audience to make a similar suspension of belief. I did not love this, and I am also pretty sure I didn't quite get it, and so far it is in last place for me in the Best Film category. I even liked F1 a lot more than this, and I am no Formula One racing fan. It is an unusual movie in a year where there are quite a few unusual movies contending for awards, and Emma Stone is incredible, as per usual.

Sankofa by Chibundu Onuzo

The book, a Reese Witherspoon pick, is about a fiftysomething mixed race protagonist, Anna Bain. She is a Welsh-Bamanian (Bamana is Onuzo’s fictional west African state) who lives in London, and has a life time of belonging nowhere--she is constantly confronting notions of difference and belonging. After Anna's mother, who raised her, dies, Anna uncovers a diary in her mother's belongings that was written in the late 1960s and belonged to Francis Aggrey. Aggrey was a student from the fictional Diamond Coast; while studying in London, he became part of a set of young African scholars agitating for their native countries’ freedom from colonial rule. Through excerpts from these diaries, the plot rapidly delivers us to Anna’s discovery that Aggrey is her father. After his studies, Aggrey returned to his homeland. There he transformed himself into a revolutionary who became the first president of the newly independent Bamana – a country that bears more than a passing resemblance to Ghana. The novel briskly tracks Anna’s wrestling with feelings of abandonment and loss, and follows her literal and figurative journey to try to connect with her father. It is quietly thought provoking, which for me is a hallmark of the Reese picks. I continue to enjoy her picks and working my way toward 100% completion.

Song Sung Blue (20250

I watched this because Kate Hudson is nominated for Best Actress in this, which is the only nomination the film received. She and Hugh Jackman do all the singing in this, and having grown up with two parents who loved Neil Diamond, I have familiarity with his music and they do a fantastic job of impersonating singers who impersonated him. The story is not entirely a happy one. It starts off well, though. This is based on a documentary of Lightning and Thunder, a couple in Milwaukee who channeled their love of music into a passion project that became a Neil Diamond tribute show. Mike is a recovering alcoholic Vietnam War veteran who’s tired of singing half-hearted Don Ho covers at the Wisconsin State Fair and elsewhere. He wants to do something different and Claire, who does Patsy Cline, is intrigued by his passion. Their chemistry is instant, they become a couple, and have real small time success performing together with some help from their friends. Then a tragedy occurs--really for both of them, and they have to work to come back from that. The music is fun, the script is a good one, and the performers do it justic.

Things In Nature Merely Grow by YiYun Li

Even when compared to other memoirs that cover the landscape of a personal response to tragedy, this is a standout. I have been a mental health professional for 40 years and I have heard a lot of tragic stories. This stands alone. Her experience is so particularly moving and painful that I would say she really opens her broken heart very wide-- she writes about the suicide of her 19-year-old son, James, in 2024 after having healed --- to an extent --- from the death of her 16-year-old son, Vincent, who did the same in 2017. It’s devastating yet so practical, humbling and numbing that it will take readers down many paths of their own and keep this book on their shelves as a message for grief in all shapes and sizes. Reading through her understated and clear eyed way of living with her pain will help you stop in your tracks and try to face the next time anyone you love upsets you with gratitude. To see them is to have another chance to appreciate them, something she no longer can do. It is a reminder to live each day fully and to try to find beauty even where it might be deeply hidden.

Jurassic World: Rebirth (2025)

This is nominated in one of the action movie categories for the 2026 Academy Awards, which is where this whole series of movies belong. The movie, as you might suspect if you have seen even one of the myriad of previous Jurrasic movies, is the situation where people are in danger of being devoured by freakish, mutant dinosaurs--that is pretty much it. But it takes an awful lot of slogging through the jungle, literally and figuratively, to get there. ANother thing about it is that they are not wanting for talent--however, a wildly overqualified cast can only do so much with what’s not on the page. Scarlett Johansson, Mahershala Ali and Jonathan Bailey do an excellent job at gawking at oversized creatures intent on eating them, runnning to keep one step ahead of them, and hanging precariously from things when required, but we don't really get to know them, beyond one of them is there for the science, and three of them are there for the money. These blovkbuster stars seem game for both the silliness and the physical rigors of making a blockbuster like this but we do not get to know them, despite some long and plodding coversations throughout the movie. They mainly just sit around explaining things to each other.