Saturday, April 18, 2026
Last Train To Memphis by Peter Guralnick
Ok, first off, if you are looking for a book about Elvis the man, you are not going to be happy with this. While it is densely researched, it ends in the late 1950's--it really is about how it all got started . It is based on hundreds of interviews and nearly a decade of research, it traces the evolution not just of the man but of the music and of the culture he left utterly transformed, creating a completely fresh portrait of Elvis and his world.
This volume tracks the first twenty-four years of Elvis’ life, covering his childhood, the stunning first recordings at Sun Records (“That’s All Right,” “Mystery Train”), and the early RCA hits (“Heartbreak Hotel,” “Hound Dog,” “Don’t Be Cruel”).
There’s more to this book than Elvis. It’s also the story of the American music industry in the 1950s. There is alot about how music was made and marketed at that time, and how rock n roll changed it. It wasn’t just about the sound but about how the music was actually sold. For example, how going on near-constant tour to small music venues was considered the best way to market yourself. The chapters about how Elvis’s manager, the Colonel, got him onto television and how television really started to change the music industry were fascinating.
I heard and read a lot of the very bad things about the Colonel. This book really brought to light the why. The Colonel may have taken a much larger percent (25%) than was usual (10%), but he also had a great business mind and really got things done. It was the Colonel who got Elvis on television and in the movies. I’d always thought the Colonel pushed Elvis into the movies but this book showed from its extensive interviews that Elvis himself was quite interested in being like James Dean. The relationship, at least at the beginning, was a lot more give and take, and then inevitably it deteriorated, as did they.
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