Huge spoiler alert!
There is no way to respond to this movie without giving away a central
element of the plot—which we learn about 7/8 of the way through the movie, but
it goes a long way toward explaining why the movie has a powerful impact.
This is a variation on the Oedipus story—but it is told from
Jocasta’s point of view, or, in this case, it is Nawal’s story. The story opens and comes close to
closing at a community swimming center in takes place in a fictional Middle
Eastern country which bears a remarkable resemblance to Lebanon, both
topographically and politically.
Lebanon was created from the ashes of the Ottoman empire post-WWI as an
enclave for the Maronite Christians.
At the time, Christians made up 84% of the territory that became
Lebanon, and it was one of the less controversial requests that France and
Britain grappled with after the First World War. But then came WWII and in it’s aftermath, the establishment
of Israel out of Palestine. That
brought a large influx of immigrants into Lebanon from the south, and that is
where Nawal’s Christian family lived.
She fell in love with a Muslim, which did not sit well with her
brothers—he was killed, and so would she have been if not for the intervention
of her grandmother. She is
pregnant, and gives birth to a baby she gives up, but not before the
grandmother tattoos the babies heel.
Nawal wants to find him in the future.
The war ruins everything. When her college is closed, Nawal travels southwards in
search of her son, and what she finds changes everything—the Muslims have bombed
the Christian towns and the Christians are killing Muslim civilians. It is bedlam and the orphanage has been
reduced to rubble. Nawal becomes
militarized by this, and that decision seals her fate once and for all. She ceases to be a mother and instead
becomes a martyr, and she murders and goes to prison for 15 years because of
it. A part of her soul is broken
off and while it is not enough to kill her, it is a crippling blow. Her son was swept up by war lords who teach him to be a killer,
so a piece of his soul is ripped away from him as well, and together they
unknowingly create a future problem.
They meet up in prison—she the prisoner, he the torturer, but just like
the myth, they do not recognize each other.
Nawal has twins while in prison, and after her release she
emigrates to Canada with them—when she discovers the truth, it is too much for
her. She dies, but in death she
sends the twins off to discover her past—and theirs. I am not sure that the truth will help them, and it could
very well hurt them—in the myth, Etiocles kills Polynices over ruling
Thebes—but they may be able to start working through the trauma that life them
off with through no fault of their own.
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