Train Dreams (2025)

Paraphrasing one of my family members, nothing much happens in this movie but it is beautiful to watch. It is nominated in several categories for the 2026 Oscars, including Best Picture (no chance) and Best Cinematography (also no chance I think, but it has a way better shot at it because the film is gorgeous to watch in a lush outdoor kind of way). This is a film of echoes--across years, across place and across time. It generation-spanning, which means that there is a lot of change afoot and so as one gets older, one feels left behind, from a time and place that no longer exitsts. It takes place in the Pacific Northwest in the early 20th century, and life & death intertwine in the duality of the symbol of the train, something that represents both progress and destruction. The railroad tracks that expanded their way across the United States in the 20th century both made the world smaller by connecting people and altered the landscape by cutting down trees that had been there for centuries to do so. Working from a novella by Denis Johnson, the film telsl a story of an ordinary life in an extraordinary way, a man who believed his existence was shackled by guilt and trauma. A birth-to-death character study, it is a meditation on the beauty of everyone and everything, how we are connected to both the earth and those who walked it before us. Joel Edgerton does a remarkable job playing Robert Grainier, a stoic man who marvels at the changing landscape in his work as a train laborer, someone who cuts down trees, pounds tracks into the ground, and even helps build bridges, often away from home for months at a time. Much of his story is told via a narrator, whose voice is something both soothing and powerful at the same time. It has A River Runs Through It vibe. He speaks for the often-silent Robert, telling us about formative encounters on the job, including a key moment when a Chinese immigrant was murdered. Robert considers for the rest of his life if his inaction at that moment led to the tragedies that would befall him. Though it is set about 100 years ago it is barely recognizable, and in the subtext drives home the fact that violence and racism are embedded into the fabric of the country and what is happening in 2026 America is a slippage back to that time and place.

Good Things by Samin Nosrat

Wow, this is everything that you would expect from Samin Nosrat and more. Her first book, Salt Fat Acid Heat, is a game changer for how to think about cooking and food preparation. The unique thing about that book is that there are not so much recipes as there are ingredients that go together and how to balance the dishes that you make. So this cookbook is a bit different because there are traditional recipes, especially for sauces and dressings, but also other dishes--but what makes this different is that once you make the back bone recipe that are a myriad of things to do with it. So it is a combination of traditional and what I think of that is unique and special about this chef's approach to food. This is a book that should be read before you dive into it--she has a style that is well worth immersing yourself in before you take a stab at replicating what she has on offer. I highly recommend this, especially if you want to experience this fun way of approaching and thinking about feeding yourself, your family, and your friends.

Butterfly (2025)

This short animated film is nominated for the 2026 Academy Award in that category. It depicts the life of Jewish French swimmer Alfred Nakache, who competed in the 1936 Berlin Olympics in Nazi Germany. It begins peacefully enough. In the sea, a man swims. It is quite beautiful at first. But as he continues, memories come to the surface. From his early childhood to his life as a man, all his memories are linked to water. Some are happy, some glorious, some traumatic. This story will be that of his last swim. It will take us from the source to the river — from the waters of childhood pools to those of swimming pools — from a North African country to the shores of the Mediterranean in France — from Olympic stadiums to water retention basins — from concentration camp to the dream beaches of Reunion. He experiences glory and humiliation. The joy is from his love of swimming--the butterfly stroke--and he is denigrated for his religion and the color of his skin. It could not come at a better time, when the United States government is killing people based on the color of their skin. Again.

The Personal Librarian by Maie Benedict and Victoria Christopher Murray

This is an ordinary fictional biodrama about a truly extraordinary woman. So it is well worth reading even though it is not spectacular literature. This tells the life of Belle da Costa Greene, born Belle Marion Greener, who was a Princeton-educated librarian who lands a high-profile job with steel magnate J.P. Morgan. She had an illustrious career that was all the more remarkable because she was a woman. She successfully out maneuvered everyone to build a world class and widely renowned collection that went from private to publicly available after the death of J.P. Morgan. Even more remarkable is that what J.P. and the elite New Yorkers she encounters do not know is that Belle is a Black woman passing as white. Belle quickly learns that being white will not allow her to overcome prejudices against women working in the male-dominated field of art and rare book collecting. She also learns at a party at the Vanderbilt mansion that women in this world are bold and use flirtation as social currency, an approach that runs counter to the modesty and invisibility Genevieve, Belle’s mother, has always advised. In several flashbacks, the reader learns more about Belle’s history. Belle’s parents, Richard and Genevieve, had a promising start in life. They were free blacks before the Civil War, and in the brief but heady time of Reconstruction, they had great opportunities. Richard, the first Black man to graduate from Harvard, married Genevieve, the beautiful and ambitious daughter of the elite Fleet family of Washington, D.C., and moved his family to South Carolina so he could work as a philosophy professor at an integrated state university. The family later left under threat of lynching when Reconstruction ended in the South and the school became segregated. Genevieve never forgot the precariousness of that time. Once the family moved to New York, she listed the family as white to avoid ejection from their fine New York apartment. When Richard discovered this lie, he abandoned the family. From that moment, Belle became the focus of Genevieve’s ambitions to secure the family’s financial future—by passing them as white. It decribes the ins and outs of why this was both painful and profitable to do.

Bugonia (2025)

This movie is bizarre and in the end, unexpected. It is a casually black comedy in the vein of the Scandanavians. The driving forces are a paranoid beekeeper and a stereotypically amoral biomedical CEO. The apiarist, a sweaty, dirty, and smutty Teddy (Jesse Plemons), teams with his impressionable cousin Donny (Aidan Delbis) to kidnap Michelle Fuller (Emma Stone), believing she’s an alien from the Andromeda species intent on destroying humanity. Their theory comes from conspiracy podcasts, crackpot online sources, and Teddy’s own experimentation. The pair’s plan will require them, in the words of Teddy, to cleanse themselves of their “psychic compulsions.” The success of the film requires the audience to make a similar suspension of belief. I did not love this, and I am also pretty sure I didn't quite get it, and so far it is in last place for me in the Best Film category. I even liked F1 a lot more than this, and I am no Formula One racing fan. It is an unusual movie in a year where there are quite a few unusual movies contending for awards, and Emma Stone is incredible, as per usual.

Sankofa by Chibundu Onuzo

The book, a Reese Witherspoon pick, is about a fiftysomething mixed race protagonist, Anna Bain. She is a Welsh-Bamanian (Bamana is Onuzo’s fictional west African state) who lives in London, and has a life time of belonging nowhere--she is constantly confronting notions of difference and belonging. After Anna's mother, who raised her, dies, Anna uncovers a diary in her mother's belongings that was written in the late 1960s and belonged to Francis Aggrey. Aggrey was a student from the fictional Diamond Coast; while studying in London, he became part of a set of young African scholars agitating for their native countries’ freedom from colonial rule. Through excerpts from these diaries, the plot rapidly delivers us to Anna’s discovery that Aggrey is her father. After his studies, Aggrey returned to his homeland. There he transformed himself into a revolutionary who became the first president of the newly independent Bamana – a country that bears more than a passing resemblance to Ghana. The novel briskly tracks Anna’s wrestling with feelings of abandonment and loss, and follows her literal and figurative journey to try to connect with her father. It is quietly thought provoking, which for me is a hallmark of the Reese picks. I continue to enjoy her picks and working my way toward 100% completion.

Song Sung Blue (20250

I watched this because Kate Hudson is nominated for Best Actress in this, which is the only nomination the film received. She and Hugh Jackman do all the singing in this, and having grown up with two parents who loved Neil Diamond, I have familiarity with his music and they do a fantastic job of impersonating singers who impersonated him. The story is not entirely a happy one. It starts off well, though. This is based on a documentary of Lightning and Thunder, a couple in Milwaukee who channeled their love of music into a passion project that became a Neil Diamond tribute show. Mike is a recovering alcoholic Vietnam War veteran who’s tired of singing half-hearted Don Ho covers at the Wisconsin State Fair and elsewhere. He wants to do something different and Claire, who does Patsy Cline, is intrigued by his passion. Their chemistry is instant, they become a couple, and have real small time success performing together with some help from their friends. Then a tragedy occurs--really for both of them, and they have to work to come back from that. The music is fun, the script is a good one, and the performers do it justic.

Things In Nature Merely Grow by YiYun Li

Even when compared to other memoirs that cover the landscape of a personal response to tragedy, this is a standout. I have been a mental health professional for 40 years and I have heard a lot of tragic stories. This stands alone. Her experience is so particularly moving and painful that I would say she really opens her broken heart very wide-- she writes about the suicide of her 19-year-old son, James, in 2024 after having healed --- to an extent --- from the death of her 16-year-old son, Vincent, who did the same in 2017. It’s devastating yet so practical, humbling and numbing that it will take readers down many paths of their own and keep this book on their shelves as a message for grief in all shapes and sizes. Reading through her understated and clear eyed way of living with her pain will help you stop in your tracks and try to face the next time anyone you love upsets you with gratitude. To see them is to have another chance to appreciate them, something she no longer can do. It is a reminder to live each day fully and to try to find beauty even where it might be deeply hidden.

Jurassic World: Rebirth (2025)

This is nominated in one of the action movie categories for the 2026 Academy Awards, which is where this whole series of movies belong. The movie, as you might suspect if you have seen even one of the myriad of previous Jurrasic movies, is the situation where people are in danger of being devoured by freakish, mutant dinosaurs--that is pretty much it. But it takes an awful lot of slogging through the jungle, literally and figuratively, to get there. ANother thing about it is that they are not wanting for talent--however, a wildly overqualified cast can only do so much with what’s not on the page. Scarlett Johansson, Mahershala Ali and Jonathan Bailey do an excellent job at gawking at oversized creatures intent on eating them, runnning to keep one step ahead of them, and hanging precariously from things when required, but we don't really get to know them, beyond one of them is there for the science, and three of them are there for the money. These blovkbuster stars seem game for both the silliness and the physical rigors of making a blockbuster like this but we do not get to know them, despite some long and plodding coversations throughout the movie. They mainly just sit around explaining things to each other.

The Sour Grape by Jory John and Pete Oswald

This is from a series known as Food Groups, and this is my first foray into it. My youngest son works in an elementary school and he has a button down shirt featuring the characters in this book--really fun. I loved this story about a grape who has a difficult experience as a young grape that sours him on others for quite some time--up until when he has a series of unfortunate events that make him very late for a date, and is met with a disgruntled friend--he feels unfairly judged, and it gives him the insight that maybe something went wrong in his pivotal event--which he discovers is true--and that maybe it is better to forgive and move on rather than hold on to the resentment. Really nice message and advice.

Blue Moon (2025)

This is a sad one. It is nominated in several categories for an Oscar in 2026, which chas been a surprisingly fruitful year for interesting big budget films. This one is intimate and raw. Ethan Hawk does a masterful job of portraying the heart and soul of the writer through one of the last nights in the life of Lorenz Hart, who was once one of the most acclaimed Broadway songwriters on the scene before fame and passion stopped returning his calls. He’s now the drunk at the end of the bar, the guy who gets there first and leaves last, and the one who can barely hide the pain behind his non-stop commentary on film, Broadway, and everything else around him. THe director, Richard Linklater, has crafted one of his finest docudramas, a consistently fascinating exploration of the frailty of the artist, buoyed by one of Ethan Hawke’s most remarkable performances.

The Birth of Korean Cool by Euny Hong

There is a lot to learn about Korea in this memoir. Today, the South Korean capital Seoul is one of the most modern on the planet while North Korea, historically the more prosperous half of the Korean peninsula, lives on the edge of hunger. It's easy to forget that, in the 1960s, South Korea's per capita GDP was less than that of the socialist paradise to the north, or of countries such as Ghana. Even as late as the 1970s, there was little to choose between living standards in Seoul and Pyongyang. Today, South Korea is the world's 15th largest economy and London worker bees would buzz with envy at the superfast internet connection their counterparts in Seoul enjoy on their air-conditioned subway journeys to work, all courtesy of enlightened government investment. The author and her family moved back to Korea in 1985, and in the course of describing her life there, she also goes on to bust many myths in her highly entertaining account of how South Korea, once one of the world's poorest and least fashionable countries, became a cultural superpower. One is that private enterprise is invariably a more effective driver of growth than government action – 25% of venture capital in Korea in 2012 came from the government – and that government intervention makes people lazy. May we all learn our lesson.

The Devil Is Busy (2025)

Here we are on the front lines of the war on women. While the sex trafficking of underage women by powerful men is minimized by the current administration--we can all guess why that might be--they are waging an equally destructive war on reproductive health care for women of child bearing age. This is a front row seat into what that health care looks like in the post-Roe era. This is nominated for an Academy Award in the Short Documentary category. The film focuse on Tracii, a staff member at Atlanta’s Feminist Women’s Health Center—now renamed the Feminist Center for Reproductive Liberation—whose workday begins long before sunrise. Her mornings are marked by both practical vigilance—ensuring the safety of the clinic and its patients—and private prayer that sustains her through a job fraught with protest, legal restriction, high stress, and real danger. The film captures the tense choreography of daily life at the clinic: security guards patrol parking lots, staff screen patients to comply with increasingly complex laws, and protesters wield megaphones and scripture as tools of intimidation. Most telling is a man who literally murdered someone himself who spends his days telling women that god will not forgive them while he believes himself forgiven. The audacity and conceit of men is on full view here, once again giving Christianity a bad look, having fully strayed from the teachings of Christ. Yet amid this hostility, the documentary emphasizes compassion—the small gestures of reassurance that Tracii and her colleagues offer women at their most vulnerable moments.

The Hounding by Xenobe Purvis

This has been likened to many other stories, but a review that I read said it best. At core, this is an all-too-realistic fairy tale. There are five sisters, all of whom are on the verge of womanhood, about to leave the confines of the house they grew up in. The rumors are that they can turn themselves into hounds and that they hunt by night and are maidens by day. Who has more power than a girl on the age of being a woman, so multiply that by five, give them a bit of freedom, and watch the men in thier sphere try to make sense of them. Given how much the power of women still feels threatening today, imagine what that could mean 300 years ago? The fact that there is a move afoot to try to put that genie back into the bottle in America today, think Salem Witch trials with an are they or aren't they about them.

In Your Dreams (2025)

This was not nominated for Best Animated Film for the 2026 Oscars but I liked it so much more than Elio, which was--and really--this is going to be very unpopular--more than the K-Pop Demon Slayers movie that has been playing on a loop almost at my grandkids house, they like it so much. There is an "in the beginning" scene where Stevie is a young girl and her happy parents are taking a break from playing music together to make her breakfast. Fast forward to the present. Stevie is now in middle school. Her little brother Elliot annoys her because they share a room, he keeps trying to do magic tricks, and he does not recognize the conflict Mom and Dad are now experiencing. Mom is no longer performing with Dad. She is a teacher and is about to leave for an interview with a job that could mean a lot more money for the family. But they would have to move. Leaving their home in the suburbs is unthinkable to Stevie and Dad. The alternative, Mom’s leaving them behind to take the job, is unbearable. Stevie worries about the stress in her parents’ relationship. She makes breakfast but tells each parent the other one made it for them, to try to bring them closer. And then, as can only happen in an animated movie, Stevie finds a magical dreams book. When she and Elliot recite the incantation together, they find that when they sleep, their conscious selves can enter and change the worlds of their dreams. There is a recurring joke about the way Elliot’s white noise machine puts him into a deep, instant slumber. Over the course of the film, Stevie will learn to appreciate Elliot as a partner. And she will learn that she cannot fix everything, and that’s okay. More important, she will learn to see understanding and new opportunities inside what appeared to be insurmountable problems. It is a fun story line and beautifully animated, so while it did not make the final cut, it really is a good one.

Why Taiwan Matters by Kerry Brown

I am thinking of going to Taiwan and there is a dearth of information about the island nation as a tourist destination. Ergo I resorted to learning more about it's history and the complex triangular relationship between Taiwan, China, and the United States. The author asserts that the road to Taiwan’s peace and security runs through Beijing. The better the world understands this, the better informed we are to make decisions regarding this highly sensitive affair. This isn’t to say that Taiwan has no input in the matter – in fact, Taiwan is increasingly becoming detached from China as the generations pass on. Even though the native population of the island is dwarfed by the Han Chinese descendants, which is true on the mainland as well, they are not aligned with China culturally. A distinct Taiwanese identity, which has always existed in different forms, has emerged with greater vigor, especially after the pro-democracy reforms which started in the late 1980s and flourished in the mid-nineties with the election of Lee Teng-hui, frequently referred to as Taiwan’s “father of democracy.” This is an entry point to getting to know Taiwan.

Jane Austen's Period Drama (2024)

This is nominated in the category of Short Live Action for the 2026 Oscars, and it is very short (about 11 minutes--don't miss the blooper though so hang on a few seconds in to the credits), very funny, and available to watch on Kanopy, so free if your local public library subscribes. The opening scen is all too reminiscent of a scene straight out of Pride and Prejudice. A young woman, Estrogenia, is walking with Mr. Dickley on a gorgeous green hillside. He is telling her that his intended has run off with another man and he is therefore free to ask for her hand. He gets down on one knee, and mid proposal he realizes that she is bleeding from her nether regions. He is convinced that she is in need of a doctor and carries her home. Her sisters, Labinia and Vagiana, recognize the problem immediately. Where Estrogenia wants to explain, her sisters are adamant that talking to a man who intends to marry you about menstruation is off limits--rather they kill a chicken, play up the severity of the condition with additional carnage and celebrate when she survives than to reveal the real reason for the bleeding. The names are changed from an Austen classic to increase the hilarity, and it is all good clean biologically appropriate fun. Happy Valentine's Day!

Helm by Sarah Hall

I found this book through the New York Times Notable Book list, and while I enjoyed it, I am not quite sure that I completely go it. One thing is that the main character is wind, Cumbrian wind to be exact. The second is the time span, which is Neolithic times to the present, which is hard to fathom, but again, the wind is timeless. It changes in both quality and quantity over time, it is constant. Every era in the book has its own seeing; the same land, the same wind filtered through time-specific fears and hopes and work, time-specific attributes as well, from a neolithic world interpreted through animal behavior to the present with social media, pub menus, emails and the like. There is an undertone of what has changed and a little bit of why that would be, but it is the undercurrent of the story, not the story itself. It is wildly innovative, easy to read, and something to think about.

Sentimental Value (2025)

This movie is nominated in 9 categories for the 2026 Oscars, including Best Picture, Best Actor, Best Actress, Best Director, and Best Screenplay, which is an accomplishment in and of itself, and a rarity for an international film that is largely not in English. Joachim Trier has a reputation as an auteur director and this film expands on that—there is an Ingmar Bergman feel to it, which we would now call depicting the effects of generational trauma and in Berman’s time we called it Scandinavian noir. Nora and her sister Agnes have an absent father, Gustav, who is a faded but famous film director. Their mother has died, and Gustav comes home to settle the estate and tries to reconnect with his daughters. He has written a part for Nora—it is an olive branch that she pushes angrily away, and so he tries to go another way with it. Everyone is so clearly damaged and so unwilling to compromise, all to their collective detriments, and while it is painful, oh so hard to watch, it is also brilliant and that is the feeling that stays with you days later after watching this and letting it settle with you for a bit.

Sipsworth by Simon Van Booy

I read this because it was a Parnassus book recommendation, and while I have not read all of them--afterall, there are a lot of Fridays in the year, it is hard to keep up, and while I read quite a lot, it seems that I have almost never read the thing that they are recommending. The added thing to love about this is that it has some shades of The Correspondent about it. They center on elderly women who have lost a spouse and a child. The women are unexpected and that unfurls across the novel. Helen Cartwright returns to the village of her childhood to grief the loss of her family and her youth. She leads a monotonous life by design: it keeps her from dwelling on the past and she is waiting for the end. Then, she encounters an unwanted visitor in her home—a mouse, a mouse that she inadvertently brought home and, after some unsuccessful and half-hearted attempts to get rid of the creature, she grows attached to him. Naming him Sipsworth, she thinks she has finally found someone to listen to her. She has something to focus on, and after she establishes that there is no one but her who will care for him, she has something to live for. Much of Helen’s backstory comes out via her stories to Sipsworth, revealing snippets of a life well lived. And the gaps in Helen’s tales reveal as much about her character as the parts that she chooses to state. The prose is simple yet lovely; the story sneaks up on you and gains your affections, as does the folly of befriending a field mouse. It’s a tale of aging, grief, and the mundane details that make up a person’s existence after great losses. These pieces reveal something profound about the human need for connection and how to savor our connections. It is a generous, vibrant, and quiet novel.

Zootopia 2 (2025)

If you loved Zootopia The Original, then it is very likely that you will find Zootopia 2 every bit a zany, delightful, and heartwarming. There are animal-word puns and sly references to cultural touchstones from streaming platforms like EweTube and HuluZoo, where you can watch shows like “Only Herders in the Building,” to a quick shot inspired by one of the most terrifying moments in “The Shining.” If you love that stuff, it is all here for you, only more so. Literally, the gang is all here. Those heroes are, again, the opposites-in-temperament Judy Hopps, a bunny who is bright, enthusiastic, and fiercely committed to justice, and Nick Wilde, a fox who is a former con artist, a loner, and fiercely dedicated to avoiding danger. They met on opposite sides of the law in the first film, but now Nick has joined the police department, and they are partners. They are partners with a propensity for trouble and doing good, so of course hey immediately get into trouble after ignoring orders from Police Chief Bogo and end up on a wild chase after a perpetrator in a catering van labeled “Amoose Bouche.” Bogo threatens to separate them if they get into trouble again. So, of course, they get in trouble again. It is definitely the ends justify the means sort of plot and it is pretty fun and zany along the way. There is some mob boss undertones with how that can mess up your family, and there are some not so hidden messages about trust, communication, and things that are worth putting your life on the line for. That resonated for me in the aftermath of the public execution of Alex Pretti, an ICU nurse who brought lots of joy and happiness to his work at the Minneapolis VA, who put himself on the line for his neighbors when ICE came to town and kidnapped people in violent ways without warrants as a witness and ended up murdered by villains hired by the federal government to wage a revenge war. He is a hero who paid the ultimate price, as the veterans he served would say.

They Love Each Other

Merry run around, sailing up and down---- Looking for a shove in some direction--- Got it from the top, it's nothing you can stop--- Lord, you know they made a fine connection--- They love each other, Lord you can see it's true--- Lord you can see it's true, Lord you can see it's true--- He could pass his time around some other line--- But you know he chose this place beside her--- Don't get in the way, there's nothing you can say--- Nothing that you need to add or do--- They love each other, Lord you can see it's true--- Lord you can see it's true, Lord you can see it's true--- Its' nothing, they explain it's like a diesel train--- Better not be there when it rolls over---- And when that train rolls in, you won't know where it's been--- You gotta try to see a little further---- They love each other, Lord you can see it's true--- Lord you can see it's true, Lord you can see it's true--- Though you'll make a noise, they just can't hear your voice--- They're on a dizzy ride on you're cold sober--- They love each other, Lord you can see it's true--- Lord you can see it's true, Lord you can see it's true--- Hope you will believe what I say is true--- Everything I did, I heard it first from you--- Heard your news report, you knew you're falling short--- Pretty soon won't trust you for the weather--- When that ship comes in, you won't know where it's been--- You got to try to see a little further--- The Grateful Dead were the back beat of our youth.

Come See Me In The Good Light (2025)

This is wonderful. Yes, it is about recurrent cancer. Yes, someone dies. Add to all this, as if it is not enough, that it is ovarian cancer, which is notoriously deadly and something that I have had. I am wholeheartedly recommending this, because it is deep and thoughtful, it depicts a head on approach to what is happening and there is still joy and love and a lust for life. Andrea Gibson is a spoken word poet and their wife is fellow poet Megan Falley. In 1921 they are diagnosed with ovarian cancer, which has inevitably spread. That is often, if not almost always true by the time one has symptoms. Then she has the terrible misfortune of having a platinum resistant tumor and she recurs within 6 months. This is the point at which there really is very little hope, but she wants to live. She wants to try everything, and she does. The film is as intimate as it gets, following Gibson into doctor’s appointments, curling up with them and Falley in bed, and eating meals soundtracked by the laughter of close friends. This is not fly-on-the-wall observant, but rather seat-at-the-table active. Structured also through Gibson’s reading of their poems, spliced in when narratively relevant, we come to see just how much they are synonymous with their work. There is no separation of the art and artist, as Gibson’s life is unabashedly unfiltered in their prose. So yes, it does not end well, but it is a beautiful tale well told, and as they say themself, we all face this, it is only a matter of when, not if.

Snow by John Banville

Let me start off by saying that I love John Banville. He is a Booker Prize winning author who has been in consideration for the award many times. He is cut from that cloth. This, on the other hand, is a by the book detective novel set in late 1950's in Ireland. The prose itself is beautiful, notably better than the standard fare, and the plot is not over done. There are undertones--and overtones--of societal commentary embedded within, and it is excellent for all of that, but the plot is not overly involved, what you would come for is the writing. This features a young Irish detective — earnest, a bit troubled, and a little persnicketty — called St. John (pronounced “Sinjun”) Strafford. Just before Christmas, in a ramshackle country house owned byt the Wexford family in County Wexford, south of Dublin, a Roman Catholic priest is found murdered in, yes, the library. Detective Strafford is sent to investigate. The various suspects — mostly members of the Osborne family and their staff — were all in the house the night of the murder. Pretty standard fare — except for one detail: The priest has also been expertly castrated. Then there is the social context, which is on the surface some, and some I had to read a review to know about. The Osborne family is Anglo-Irish, a colonial class of Protestant landowners who can trace their arrival in Ireland back to the time of Oliver Cromwell and have survived into the 1950s. English in their attitudes, they are a stark reminder to the Catholic Irish that for the 5 percent of the population who are Protestant in this Roman Catholic country, nothing much has changed since the 17th century. The Anglo-Irish — the Horse Protestants, as they are derogatively known — live in their crumbling stately homes, ride to hounds, go to balls and race meetings, speak with a different accent and still own much of the land, managed in a form of benign paternalistic feudalism. Strafford himself is also Protestant, which I suspect will resurface as the series continues. This is very good, especially if you have an affection for Irish authors, and I would recommend it if you like the genre. It is predictable in ways that might not appeal for those looking for something more obscure.

The Alabama Solution (2025)

This documentary is nominated for an Oscar, and is a revelatory new documentary about the long-simmering humanitarian crisis in Alabama’s state prisons. About 15 minutes into the movie that they were filming, they got a tip about an incarcerated man who had been beaten so badly he was taken to the ICU at an outside hospital.By the time the film makers arrive, Steven Davis was dead. Uncovering that Davis had been killed by a guard is only part of the focus of the documentary, which is now streaming on HBO Max. Death is increasingly common in Alabama’s prisons. Since 2019, roughly 1,380 incarcerated people have died or been killed while in custody of the state. The documentary — which features footage shot on cell phones by several incarcerated men — zooms out to explore why, despite federal inquiry and a lawsuit brought by the U.S. Justice Department, officers are still able to neglect, harm and kill incarcerated people with seeming impunity. The Marshall Project has a review of the film on their web site, and note five take aways from the doculmentary, which is mostly filmed by inmates themselves on illegal cell phones within the prison. 1. Alabama’s prisons have reached a “humanitarian crisis level,” as one of the men featured described it, with unchecked violence and deaths. Scrutiny from the U.S. Department of Justice has failed to improve conditions. 2. Drug use is rampant in prison, and so are overdose deaths. Alabama has failed to stem the flow of illicit substances and doesn’t provide adequate substance abuse treatment to incarcerated people who need it. 3. The emotional and financial cost of Alabama’s prison violence is staggering. Families struggle for years to get answers about the deaths, and the state has spent millions on lawyers and settlements. 4. Incarcerated people have risked their lives to expose conditions behind bars, filming the chaos inside on cell phones furnished by corrections officers. 5. Alabama’s economy is powered in part by incarcerated people, who are employed by corporations in industries such as poultry processing. Many also provide services like sanitation and groundskeeping for the state, often working alongside the public. None of this is new, and it appears that while this is widely known, nothing is able to be done to change it.

Know My Name by Chantel Miller

This is yet another version of what rape does to those who it is perpetrated on, and how our culture works very hard to excuse the men who are the perpetrators. The read this for a Goodreads challenge, and once again it is a book I would have been unlikely to pick up if not for that. Chanel Miller she writes about her life, including her now highly publicized sexual assault in January 2015 and the events that unfolded after that. The memoir focuses on the day of the assault as well as the court case, People vs. Turner. Turner was convicted of three charges of felony sexual assault. He was sentenced to six months in jail followed by three years of probation. However, he was released after serving half of his sentence for good behavior. Miller’s victim statement was widely published across the world as is a power piece of standalone writing. Miller was known as Emily Doe and her memoir shows her side of the event and how her life was completely transformed by that night. This is a powerful book. I had followed the court case and read the statement but this memoir shows what Miller went through. From being a young adult who worked at a startup to a complete and drastic transformation after the assault, the book does not leave out any detail. We see how Miller pieces together the assault, her despair and anger at the court proceedings, her activism, her day-to-day challenges and victories, her relationships, her mistakes and victories, and the inside view of the legal system. She is very angry at having been made a vicitm--in the eyes of the public, but also in reality, that the person who did that is never going to pay an appropriate price for that damage, and also how she is trying to come to terms with that.

Peter Byrne, Modern Quilter

My quilt guild had Peter Byrne do a trunk show and wow, what amazing quilts he has made--and quite varied. He was a hair stylist in Toronto for 30 years, retired and was looking for a new creative outlet. In 2017, he joined the Toronto Modern Quilting Guild and when he walked into his first guild meeting, he had never quilted a quilt. He has come a long way since then--and after seeing his work, I am considering taking one of his virtual weekend quilt workshops to do a deeper dive into his process.

Peter’s quilt Starring You won Best in Show at QuiltCan 2020. It is an amazing feat on so many levels. First, it is full of negative space. Composed of white and black fabric, the central eight-pointed star is machine appliqued onto an all-white background. Three of the star points were cut away and sliced further into 90 bits and pieces each, appliqued – again by machine – in a way that mimics an explosion. All of the quilting was done on a home machine, and the black lines you see? Those are quilted with black thread. Think about it: with that kind of contrast, you just can’t make a mistake.

American Mermaid by Julia Langbein

I found this through the Parnassus Bookstore Friday vlog "If You Haven't Read It It Is New To You"--which as an aside, I continue to love and often read books that are recommended that I both enjoy and would not have found another way. This is a story about a high school English teacher, Penelope, who writes a novel about a disabled woman, Sylvia, who discovers she is a mermaid. When Penelope’s book is optioned for a movie, she moves to LA to adapt her book with two seasoned male screenwriters. We get some of the backstory through sections of Penelope's book throughout--a book withini a book. As a baby mermaid, Sylvia, who washes up on shore and is taken in by two married billionaire scientists who can’t have children of their own. Through sketchy medical procedures they split her tail, which leaves her in near-constant pain and confined to a wheelchair. This decision comes back to haunt them when Sylvia grows up and discovers the painful truth about her origin story, and dedicates herself to taking down her father’s company. The story of Penelope is less enchanting, but her trip though some of the shallowest corners of Los Angeles’s vanity, power, and money-obsessed culture is what you would expect and some of the best moments come from her interactions with Murphy and Randy, the two screen writers. They desperately want to turn into a sexy teen romp complete with low-cut bikini tops and a waterlogged prom. Penelope’s attempts to fight back are usually fruitless, leading to the table read to end all table reads. But you know who else isn’t on board with Randy and Murphy’s writing plans? Sylvia. Or someone who seems to be Sylvia — mysterious events involving changes to the movie script, Penelope getting dragged underwater in a Malibu riptide, and luring another character into an accident with her siren song start happening. So a smidge of magical realism as well as an interesting read.

Sinners (2025)

This was the winner in the category of most Oscar nominees in 2026, and also for the most nominees ever. Even considering that one of them is in a new category, it is an impressive showing. I haven't watched every movie in every category as of yet, and I haven't seen what might have made it but didn't (although a number of them are in categories for which there is a short list, so we can see some of what are the "Also Rans"), but it is a good movie. Is is also A LOT. It has a lot of violence, a lot of murder, a fair amount of sex, a lot of music, some romance, and a lot of symbolism all turned up to the loudest level. It is about black people in the Jim Crow South, so it is set in a time where racism is also a lot. Set in 1932 Mississippi, Sinners follows two twin brothers known as Smoke and Stack as they return home after working for the bootleggers in Chicago. Both twins are played by Michael B. Jordan, who plays the brothers in such a way that it becomes easy to tell the two apart based on their subtle mannerisms. The costume department helps with the visual cues, with Smoke wearing blue and Stack red, but by the halfway point, you don’t need the visual cues to help know which twin is which. Huge testament to Jordan’s acting is that tell them apart. I am not going to go in to the horror aspects of the plot beyond saying I pretty much never watch horror movies and this was well done. Music plays much more of a key role than I was expecting. It’s not only there to set the tone and mood of the era, but it’s actually a plot device. This is a romping, stomping ode to the 30s era Southern Blues, and the composer, Ludwig Göransson, really tapped into its spirit both with his score and the compositions heard within the film itself. A lot of the music was recorded on-camera, giving it a raw and unfiltered feel. The highlight of this musical talent is for sure Preacher Boy, played by first-time actor Miles Caton. Wow, what a discovery. Not only can the man sing, but his character, cousin to the twins, was the heart of the film in a way as an ambitious youth who yearns to play music, something that his preacher father does not approve of. This is worth seeking out, it is very very good.

Born In Flames by Bench Ansfield

I was really surprised by the story that this book tells--which is really about my naivete and lack of education rather than that it is surprising. This is the first book by a historian who debuts with a riveting and meticulous chronicle of the wave of arsons-for-profit that burned through America’s cities in the 1970s. The book focuses on the Bronx, which notoriously lost around 20% of its housing stock, though they argue that the borough is more of an example of a lesser-known arson epidemic that devastated neighborhoods of color across the country. Dispelling the racist myth that residents set the fires themselves, the author traces the confluence of financial factors that motivated absentee landlords to burn their neglected, deteriorating properties. These factors included high-cost, low-coverage state-sponsored insurance policies that debuted following the racial uprisings of the 1960s (when insurance companies abandoned riot-affected areas); insurance companies’ newfound practice of investing customer premiums for profit, which further inflated premiums to astronomical heights; and city budget cuts that decimated the FDNY. They chronicle not just the landlords who profited but also the tenants who, as they tracked the conflagrations’ block-by-block progress, fearfully went to bed with their shoes on; some were even burned out of more than one apartment. The book also unearths the tenant-organized activism, in collaboration with local officials and even some of the insurance companies themselves, that finally ended the fires. The result is an outstanding exposé of the predatory capitalist machinations behind the “Bronx is burning” saga. This is not so much a page turner as a book that raises the level of awareness of exactly how bad slum lords treated their tenants and how they maximized profits.

Elio (2025)

Pixar's latest is classic animated material, sugary sweet and almost no surprises, and I was surprised to see it nominated in the Feature Length Animated Movie category--there were two other movies we saw, maybe three that I thought were better. Be that as it may, Elio Solis is an orphaned child cared for by his childless aunt, Major Olga Solis. At an air and space museum, a grieving Elio stumbles on a “coming soon” exhibition about the Voyager spacecrafts (the probes launched in 1977 carrying gold discs with messages from Earth) and begins to dream about finding solace beyond our solar system. Olga sets aside her dreams to care for her relative and Elio isn’t exactly grateful for that sacrifice. He begins cutting school, absconding to the beach to carve messages in the sand, and even begins accumulating the basic tech to contact potential aliens, partly it seems because he is having so much trouble relating to Earthlings. The more Olga sacrifices (including her desire to become an astronaut), the more Elio seems to resent her, believing he’s to blame for her dashed desires. Despite the odds, Elio manages to contact aliens, thereby opening the door to discovery. Ta dum! Turns out Olga is pretty excited about that discovery as well, and they both get to spend some time in outer space after all.

The Wilderness by Angela Flournoy

This was long listed for the National Book Award and while I do not 100% read that list, I do pay attention to it. I think if I had read this in one or two settings I would have rated it higher--it was a little confusing in the shifting between time periods if you read it over a longer time interval--I just kept being a little disoriented, but the writing is rock solid and the story is very well constructed. Over several decades, from the early 2000's to the near future, this book follows the lives and evolving friendships of four Black women in America—Desiree, Nakia, January and Monique. We meet the women in their early 20s as they kickstart careers and navigate romantic relationships; we see them through their late 20s and early 30s, reassessing and reconfiguring jobs, values and how to best support each other; we ease with them into midlife, which is at times calmer waters and at others heavy with unforeseen tragedy. Desiree’s sister, Danielle, steps in and out of the narrative as well. The strength of this novel is getting to experiencthe protagonists’ thoughts as they handle problems—social discomfort, jealousy, conflict avoidance—and the minor strains introduced to friendship due to differing sexual orientations, socioeconomic statuses and mental health conditions. The novel seems to espouse that friendship is about overcoming and about changing with individuals as they change. It has an ending that is very hard to read in 2026 America where American citizens are being gunned down by the government.

Weapons (2025)

I was able to watch this on a recent flight with an excellent in flight screen, and while I am not a fan of the horror genre, this was very well done and genuinely creepy. I may be in a decided majority, but I love watching movies in the air, especially when I score a seat with a large screen. It just makes travel so enjoyable. One thing is that it’s not overly difficult to read the inciting incident of the movie as a school shooting allegory. In this case, 17 children got out of bed at 2:17 a.m. and ran into the night, their arms slightly outstretched and look identical. They are captured on doorbell cams, which is a great way to see that they wer not led away by someone, but rather that they seem possessed. It’s a chilling image, one that tears a neighborhood apart, revealing the rage and horror behind the picket fences. So the teacher Justine Gandy, who is young and earnest, comes into school the next morning to find her entire classroom absent. Well, not entirely. One child, a quiet kid named Alex , didn’t leave his house that night. Why? Instead of going down that investigative avenue to its end, the town chooses to weaponize its hatred for Gandy herself, labeling her a witch. She must have done something. Or she must know something. The movie unfolds in a kind of controlled chaos, and comes to a surprisingly unexpected end. It is both terrifying and enjoyable simultaneously.

Boustany by Sammi Tamimi

This is a love letter to Palestinian food and the Palestinian people-- the author, who I first discovered when he co-authored a book with Yotam Ottolenghi called Jerusalem, lives in London, but his food is firmly rooted in the Middle East. This is a bit of a love letter as well as a book full of food--there are stories to go with every recipe, and also at the beginning of each section. This is a deeply personal book, laced with longing and a loving nostalgia. You can almost picture the author's grandparents’ boustan, or garden, and feel the joy he experienced spending time there as a child. He shares cherished family recipes, offers up dishes from the various ethnic communities in Palestine, and expresses enormous pride in his people’s culinary heritage. It is all vegetables all the time. There are a lot of dairy products used, but they can often be eliminated or replaced with plant based alternatives if that is how you roll.

Frankenstein (2025)

No matter how you feel about Mary Shelley's Frankenstein, this rendition of an all too familiar story is a triumph. Somehow Guillermo del Toro manages to make something that feels almost new, and definitely rich and strange, and yet it is crafted out of a story we all thought we knew well. I haven't read the original in quite some time, but my son who has both a photographic memory and a recent reading was very impressed with the adherence to what Shelley wrote. The 21st-century movie does veer off the 19th-century source however. Mary Shelley’s novel was complete as of 1818, and the movie is set in 1857, which, because the author died relatively young (brain tumor) is several years after the author’s own death. Placing the tale squarely in the Victorian era grounds it in period trappings more sumptuous and therefore consistent with the over-the-top tastes of the director, it also allows its visionary scientist Victor Frankenstein (Oscar Isaac) to place electricity more fully at his disposal when animating his creature. This is a half hour too long, but otherwise amazing.

Seascraper by Benjamin Wood

This book, longlisted for the Booker Prize in 2025, is a quiet book looking at inner life. It is a compact story that depicts two days in the life of Thomas Flett, a young man who earns his living as a shanker –which I did not know what that was, but it is a man who rides a horse and cart up and down the beach netting for shrimp. It is a hard life, and it has taken its toll. At just twenty years of age, he looks and acts like a man who is considerably older. His bones ache, his mind aches, and he shambles. And while he more or less accepts his lot, there is more than a small part of him that yearns for something more, something better. He has dreams, small managable dreams that seem attainable to the reader and yet we lose hope that he will take the plunge. This is an insight into this sort of poverty and the toll it can take on your spirit. It doesn't make Thomas mean, but you could see where that would happen, and it is certainly happening in the 21st century, where there is no chance of a better life and the blame is sorely misplaced. This is a look inside a psyche and it is a quiet one at that.

The Perfect Neighbor (2025)

This is a familiar story with an inevitable tragedy, this one told almost exclusively through police body cameras. In 2022, a white woman named Susan is living in a predominantly Black neighborhood in Florida began frequently calling the police to complain about children playing near her house. Each time the police come, the other adults and children in the neighborhood inform them that the allegations are either exaggerated or completely false. The police give some warnings, make notes on the situation, and leave. They are know what is going on, they name it amongst themselves, but they are unfailingly polite to both the complaintant and the community they serve. Although the police never make any arrests or notice any issue with the children being accused or their parents, the calls continue and there is a lot of sighing about the situation. This white woman will not let up. And then, one day, she acts. It is a familiar enough story, one that rarely makes anything or anyone change thier mind, but occasionally justice is served.

Next Year In Havana by Chanel Cleeton

This is one of Reese Witherspoon's Book Club choices and I am in the midst of slowly reading all of those, which is a fun endeavor. It is also the first in a series of books that look at this family across family members and over decades. The book shifts between present day and the time of the Cuban Revolution. The past focuses on Elisa, who is the daughter of a sugar plantation owner who falls in love with a revolutionary. The present is Marisol, who is her granddaughter. After the death of her beloved grandmother, she travels to Havana, where she discovers the roots of her identity–and unearths a family secret hidden since the revolution. The past is Havana, 1958. The Perez family supports Batista and is forced to leave Cuba for Miami, but hope to return one day. Elisa believes her lover has been killed, but she leaves Cuba pregnant with his son. Miami, 2017. Freelance writer Marisol Ferrera grew up hearing romantic stories of Cuba from her late grandmother Elisa, who was forced to flee with her family during the revolution. Elisa’s last wish was for Marisol to scatter her ashes in the country of her birth. Arriving in Havana, Marisol comes face-to-face with the contrast of Cuba’s tropical, timeless beauty and its perilous political climate. When more family history comes to light and Marisol finds herself attracted to a man with secrets of his own, she’ll need the lessons of her grandmother’s past to help her understand the true meaning of courage.

Little Amélie (2025)

I read in a review of this sumptuous animated movie--which is nominated for an Oascar--is based on the autobiographical novel by artist Amélie Nothom, who was born in Japan to Belgian parents. It is a story that is marked by threes. Amelie is the third child, and the story takes us from her birth to age three. This is the age at which, in Japanese culture, a child descends from the realm of the gods into the world of the everyperson. The word for this infantile holiness is okosama, or “lord child,” and the movie takes us through the spirit of this very earliest coming-of-age with whimsy, cross-cultural commentary, and sometimes fantastical time. Baby Amelie is slow to develop and she is a bit of a worry for her parents: she is slow to walk, slow to talk, and hard to sooth. But once she does, prompted by a bite of Belgian white chocolate from her grandmaman, she does so with an almost instant proficiency. The film takes the idea of early childhood awareness, the phenomenon that children are far more privy to the dynamics of reality than they are able to voice, and provides its lead with the vocabulary to match. She operates out of loving obligation, immeasurable curiosity, and even spite, refusing to speak her brother’s name due to the ever-so-typical brotherly hassling. Amelie also sees visions of things that are not and cannot be, in a way that adds a magical quality to this gorgeously animated film.

An Unfinished Love Story by Doris Kearns Goodwin

This is a detailed review of the 1960's through the eyes and experience of the author and her husband, who recently died. Let me start by saying that while I did not love this book, most people I know who have read it did. The author is an excellent writer, and her husband of 40 plus years and she had non-overlapping but equally impressive careers that involved the presidents for a bulk of the decade, so it is an intimate look behind the scenes at government in action at a time of great change for the country. My first bone to pick with this is the title--this may have been motivated by trying to tell a story about the love of your life, but that is not at all what it is. It is a recounting of the Kennedy and Johnson presidencies from the inside. Dick Goodwin worked with the Kennedy campaign, and then within the White House as Kennedy's speech writer, but also spearheading some of the major public policy projects of the Kennedy administration. There are some fascinating behind-the-scenes insights and observations that are definitely one of a kind perspectives. She went through her husband's voluminous boxes of memorabilia from this era to write this book, and she did so while he was alive, so he could both comment on an clarify as she developed and evaluated the material for the book, and the uniqueness of that comes through clearly. I would recommend it and I might have liked it better if I hadn't just read Robert Caro's The Passage of Power, which minutely covers this era as well.

Left Handed Girl (2025)

This entry into the International Film category by Taiwan was shortlisted for an Oscar, but learned today that they did not make the cut. It is well worth watching, none-the-less. The title centers on a cultural superstition, that left handed people are sinister. I-Jing, an angelic appearing five-year-old who has just moved back to Taipei with her mom and older sister, gets literal firsthand experience when her grandpa admonishes her for using her left hand for everything – it’s not natural; it’s the devil at work, he says. ‘The left hand is the devil’s hand’. I-Jing, a sweet five-year-old who has just moved back to Taipei with her mom and older sister, gets literal firsthand experience when her grandpa admonishes her for using her left hand for everything – it’s not natural; it’s the devil at work, he says. The scenery, all shot on an iPhone shows both a glitsy and a gritty Taipei. It summons the frenetic energy and sensory experience of Taipei. There are bright red Chinese characters overtaking the glass windows of a pawn shop; the pleasant melody of trash-collecting trucks; lush trees against grimy buildings that can nearly make you smell the specific essence of a bustling, wetter city. It pairs the kaleidoscopic fragments of the city with the splinters of imperfect people – poignantly and tenderly showing what it means to be a family in Taiwan. The story goes like this. Shu-Fen has set up a night market noodles stand, and her volatile daughter I-Ann left high school and works at a betel nut stall, where she’s sleeping with her boss. I-Jing, played by a very charming Nina Ye, starts a new school and, with the wonder only a child can have, tests out the potential of this newly anointed devil hand. The story that unfolds is a familiar one, but the telling of it is what makes this stand out.

Awake by Jen Hatmaker

I picked this up because it is on the New York Times 100 Notable Books from 2025. It is a memoir about the author's public break up of her marriage in 2020 after she discovered that her spouse of 20 years was having an affair. There are some things that made this a bit different. The first is that Meanwhile, both Jen and Brandon Hatmaker were Christian celebrities. Brandon Hatmaker was a pastor, and Jen Hatmaker was a frequent speaker at the church they planted together. They starred in an HGTV show about their home renovation, and spoke publicly about international adoption (two of their five children were adopted from Ethiopia). Jen Hatmaker became a popular speaker and writer in her own right, as well as her podcast, For the Love. She wrote about the Bible, marriage, and parenting in a breezy, humorous voice. Her books attracted a following among Christian women seeking a faith that was honest and authentic rather than rigid and rules-focused. Jen Hatmaker had a loss of confidence in her faith after a marriage that was very much rooted in the church blew up in a spectacular and unexpected way, but it wasn't her first public struggle. She suffered from backlash within the evangelical world in 2016 when she began publicly questioning the policies of the first Trump administration and speaking out about racism among white American Christians like herself. Her reputation took a further hit when she talked about fully affirming LGBTQ people and relationships. But in return for cancelled speaking engagements and books pulled from the shelves of religious bookstores, she attracted a new audience of people open to a broader, more inclusive vision of Christianity. In this memoir she acknowledges she is no longer engaged in formal religion but chronicles all the way she has grown and recovered from what her husband did. It is an interesting and well written read.

The Smashing Machine (2025)

The true story of mixed martial arts and UFC fighter Mark Kerr, whose obsession with greatness drove him to be a legend, and he ehlped create what the sport became. He is also largely unknown, and this is an attempt to rectify that. Let me start off by saying two things--I am not a fan of MMA and I did not like this movie. The two might be related, so I am putting that on the table up front. That said, this is kind of the antithesis of a sports legend movie. It is gritty and it doesn't step away from the hard stuff. A couple of reviews that I read pointed out things that make it different. Whereas most films about sports icons reach for immersion, this film takes an observational approach. Notice that almost every fight scene in this film is shot from outside the ring, the ropes often breaking the image into chunks, or from above, giving us the POV of a camera instead of putting us into the action. The music is either pop/rock tunes or a non-stop jazzy score, both serving to remind you consistently that you’re watching a movie. Dwayne Johnson plays Kerr with some heavy make-up—which both hides The Rock nd draws attention to its setting in the years 1997 to 2000. Fans of the currently robust sport will marvel at the lack of structure and profile it had in its early days, known more for its brutality than its athleticism. The UFC wasn’t popular, and there is what happened, which is that Kerr's coach became a figher again in order to pay the bills and they came close to fighting each other. The film also highlights the steroids, the recreational drugs, the risk of opiate addiction in a sport that invovles a lot of pain, and the chaos both in and out of the ring.

The Serviceberry by Robin Wall Kimmerer

I read this as a fulfillment of one of the 2026 Goodreads reading challenges--it fulfilled a category that was hard for me because I had read about 80% of the books that qualified already. Otherwise I would likely not have found this. It is about looking inwards, building with what you have and being grateful and appreciative for what you have. When you look at a berry, the serviceberry is featured here, but any wild berry will do--what do you see? In her latest book, the US botanist and author views a tiny fruit through all of these that it does--it feeds the wild life around it, who in turn help it to spread when you expel the seeds, all the interconnected ways a berry becomes an integral part of our world. Then she goes on to illuminate the much bigger questions about how we humans relate to plants, to the natural world and to each other. The author is a university professor, a botanist, and a citizen of the Potawatomi nation, and she is becoming one of the best known environmental writers working today.