The Other Bennet Sister by Janice Hadlow

This falls into the genre of fan fiction--It is not the retelling of Pride and Prejudice but rather an extention of that story. The novel explores the predicament of Mary, the overlooked middle daughter of the Bennet household. Mary doesn’t have a story of her own in Austen’s novel – she’s there to serve as a foil to her sisters’ charm, and a temporary obstacle to their happiness. Bookish and gauche, Mary is the one who can be relied on to give an ill-judged performance on the pianoforte or deliver a sententious comment at exactly the wrong moment. By the end of the novel her circumstances have changed, but she has not; she’s still just as plain and awkward as she ever was, but with her sisters variously settled elsewhere, she is at least not compared to them daily but she is not a woman of note either. In this version of the story Mary begins very much as Austen depicted her – plain, awkward, overlooked – but she is now our protagonist, the one we are supposed to be rooting for. As the great majority of us are not beautiful to look at or glittering company, we are predisposed to hope that her studiousness and loyalty will somehow eventually pay off. We come to understand what has made her the way she is. From girlhood, she has been mortified by her mother, who constantly evaluates her five daughters’ looks, and finds only Mary’s wanting. Her father, too, is a source of grief; she is desperate to be close to him, but he makes a pet of Lizzie, and only seems to speak to Mary – Hadlow is quoting Austen here – in put-downs. Her sisters exist in fixed pair-bonds: Jane-and-Lizzie, Kitty-and-Lydia; Mary is left to drift alone. Teased, belittled and criticised, it is no wonder she is so ill at ease; no wonder she blunders. I cringed a few times at Mary's missteps but mostly was rooting for her, and very much enjoyed once again being plunged into the world of Austen.

Retirement Plan (2025)

This short animated film is nominated for a 2026 Oscar, and maybe it is because I am actively thinking about my own retirement (I am aiming for 3 years from now) that it seemed so poignant. This is a devastating yet optimistic piece of storytelling. It’s funny, endearing, relatable and playful but it also has a fierce undercurrent of melancholy. In the throes of his overstimulated, energy poor midlife, Ray fantasizes about everything he'd love to do in retirement, once he finally has the time. It plays with the idea that we’re taught to postpone living until retirement, until we have more time but in reality, that day may never arrive. Retirement Plan reminds us to live in the now, to stop living through lists and start embracing each day as it comes. Twice things happened to teach me that you should not put off today the things you really want to do—the first is when my youngest son had a brain tumor and the second is when I was diagnosed with a poor prognosis cancer myself. I am blessed with a job that has a lot of vacation as well as a fair amount of work related travel, and I have been active about doing things now rather than putting them off. Even still, I can relate to this. Aside from the thought provoking, personal narrative. Retirement Plan is also a beautifully animated feature that showcases the simplicity and power of animation. Stripping back the shots, playing with minimal movements and relying on the impact of the storytelling made the sentiment all the more beautiful. Finally, if you take anything away from this tender-hearted story, remember to embrace every day of life, don’t wait.

Jane Austen's Bookshelf by Rebecca Romney

I, like the author, love Jane Austen. Unlike her, I know nothing about the world of rare books, and while I know only slightly more now than before I read this book, I have a better understanding of what draws people not just ot the book itself, but to those who read this exact volume before one picks it up. She asks the question about who might have influenced Austen and the answer is that there were quite a few women authors who wrote in the late 18th and early 19th century and who clearly Austen read because she mentions them by name in her letters to her siblings and in some cases because she has lifted things out of their books to make her own. It is a wonder someone hasn’t thought before to do a little detective work into the authors that influenced her: Ann Radcliffe, whose 1794 gothic thriller The Mysteries of Udolpho peppers every other conversation in Northanger Abbey; Elizabeth Inchbald, whose 1798 play Lovers’ Vows is rehearsed by the characters in Mansfield Park; and Frances Burney, whose third novel, Camilla (1796), originated the phrase “pride and prejudice”. The interesting thing is not that they exist but more that they have been largely forgotten. I was able to find their hallmark works through the Guttenberg project and in the Kindle library, and will uspdate later as I read through some of them, but this author thinks that they are worthy. In addition to the above, she found Fanny Burney’s Evelina to be bold and witty, Charlotte Lennox, whose The Female Quixote" is witty and smart, to Elizabeth Inchbald, whose concise and ironic style may have influenced Austen as well. It is great fun to read this.

It Was Just An Accident (2025)

This was submitted to the Academy for consideration for ‘Best International Feature Film’ by Tunisia, it is a film by an Iranian filmmaker about the repressive and violent Iranian regime. The movie opens with a couple and their child travelling home. They run over a dog, and while the child is very sorrowful about it, the parents shrug and say, “It was just an accident.” Several miles after the impact, their car breaks down outside a modest factory. An employee offers to fix their car while his co-worker Vahid (Vahid Mobasseri) talks on the phone in a backroom. Before he sees the driver, Vahid hears the shuffle and squeak of a prosthetic leg. His genial visage fades, and he sneaks around the corner to get a better look. From his vantage point, we only see the driver’s legs as he looks for a toolbox. When he asks for help, Vahid, hiding in another room, hooks his finger into his cheek to change his voice. Vahid believes this man is Eghbal, a former intelligence officer who tortured him years ago in prison. Vahid decides to act. He tracks the driver to a repair shop, hits him with his car, abducts him from the street, and drives out to the desert, where he digs a hole with the intent of burying him alive. When the man protests that he can’t be Peg Leg because his scars are recent, doubt creeps into Vahid’s mind. Does he actually have the right man? So, with Peg Leg in tow, he seeks out the opinions of others who he was imprisoned with, and that is the gist of the movie—the psychological damage inflicted cruelly and permanently by the torturer is explored in a surprisingly light hearted manner. I was dreading watching this, but very much enjoyed it.

The English Understand Wool by Helen Dewitt

Here is another recommendation from the Parnassus Friday vlog "If You Haven't Read It It Is New To You", where they veer off the usual bookseller path of selling you the latest and greatest and dig back into time past to highlight gems that were not much lauded or have been too soon forgotten. It is a novella, maybe even better described as a short story, about a young woman whom the world calls Marguerite. She thinks of herself by a different name, the name she was raised with, which she never tells us. In the novel’s opening pages, she describes a recent trip she took with her “Maman” to buy fabric for a suit, or, rather, a tailleur. The pair travelled from Marrakesh to the Outer Hebrides, then on to London, where they remained for six weeks (staying at Claridge’s) while the tailor made the garments. Since no one can be expected to go that long without practising an instrument, they had the television removed from their suite and an electronic piano install Marguerite’s story is immediately destabilizing; her existence sounds like the fantastic confection of someone with no real experience of everyday life. And it is, sort of, but not in ways the reader may initially think. This is a treatise on many things and a funny comment on them all. Don't miss it, it only takes a moment to read and it will leave you happy that you did.

Armed Only With A Camera (2025)

There is so much to care about in this documentary and so much tragedy to go along with it. Brent Renaud is a photo journalist who was purposely targeted and killed by the Russians in Ukraine. There is so much to dislike about Putin, Russia, and the soldiers fighting for things that do not belong to them, but that is not what this is about. This short documentary, which is nominated in that category for the 2026 Academy Awards, is more of a celebration of a photo journalist's life. The span of where he went, what he filmed, and how important the brave work that he accomplished in his too short life is what the film is about.We meet Brent Renaud as he trudges through a shallow, fast-moving river on the border of Guatemala and Mexico. He films a 16-year-old boy as he makes the arduous trek from his former home of Honduras to what he hopes is his future home, the United States. The boy says he has no parents and no future in Honduras, but believes the U.S. will be a place where he can build a new family and find some hope. That is another tragedy best left untalked about right now but the camera and the man behind it are so sympathetic to the underdog you can feel him routing for the boy when he has to part ways with him, and it is more than what he says. He survived many scary situations before he met his death, and I was left bereft when he was shot down. Much like Tim Featherington, who's full length documentary Restrepo, filmed when he was embedded with a U.S. platoon in Afghanistan, took us into one war before another war left him dead, it seems that the very best of them are heroes who show us what we are missing about the world and violence, but they too are so slow to it that more than a few of them get burned. This is worth every minute of time watching it.

Scrap Quilt Sensation by Katharine Guerriere

I really liked this book, which is focused on traditional quilt blocks that are done in a less traditional manner, and also very scrappy. She does a really nice job of describing and demonstrating he approach to design, and her quilts have a consistency between them and are decidedly different from another designers. The author has quilts that are dense in not just scraps but also using batiks rather than solids--which is often one color, different hues but not strictly reading like prints would. She does do a discussion of trying to figure out color, value, and hue, how to think about or deal with prints, and how she thinks about it when in the design phase. For reasons that I cannot quite put my finger on, this style of quilt is one that I both find quite appealing and am not a natural with, so while I first encountered the book by getting it out of the library, I did decide to buy it. It is an older publication, so it was possible to get from a used book seller of your choice for a very modest price.

Snuggly Monkey

This happens every year. I come home from QuiltCon inspired to organize my creative fiber life, and as I inch closer to retirement (yes, I am picking a date, and yes, it is looming within sight) I feel like I need to get geared up and organized in order to launch immediately into a productive post-work life. It needs to have handwork and machine work. I need to have my supplies and I need to be able to find them (this is a story for another day). This year, in the ugly war that my own government launched against it's own people in Minneapolis, where I work, I am also quite commited to buying from people who side with decency. I used to think it was more common than it turns out to be. Last year I bought from Snuggly Monkey because the site had a wonderful and reasonably priced array of Sashiko products and while I have a lot of embroidery supplies, not many of them came from Japan, and I rectified that because Sashiko is something I want to do more of. This year, Snuggly Monkey was outspoken about doing the right thing, which is resist resist resist this ugly facist regime that is disappearing and murdering people because of the color of their skin, and so this year I spend my creative dollars with them because they are with me philosophically as well as artisitcally. And the bonus is that they have an even better array of things that inspire me than they did last year.

Death Takes Me by Cristina Rivera Garza

I am not entirely sure I got this book. It is a New York Times Notable Book from 2025, and I try to read at least a number of them, and while I think this is well written and literary, it is also allegorical and that is not my superpower. It does have elements that remind me of Latin American novels I have loved, and that is a genre I have read deeply in. The story is on the disturbing end, especially if you are not reading murder mysteries routinely, and examines the intrusion of crime into the lives of witnesses and detectives. A wave of men are being discovered, dead and castrated, their corpses accompanied by mysterious poetic allusions and all the marks of a serial killer to-be. The Detective, at a loss, starts enlisting the services of a local professor and writer, Cristina, who found the first body. The violence of the crimes starts a wave of impact that hits the professor, the Detective, her partner, and everyone else in its wake. The murderer appears to be a woman, castrating men, leaving behind poetry using ‘women’s objects,’ such as nail polish or lipstick. This troubles the professor and the detective both. Men start feeling that they have to protect their genitals in public and long for the days when basically women were subjugated to men so they could feel both safer and more powerful. So in the era of the Epstein files, where it it very clear that rich and powerful men like having their way with young women and children, we can see where the rage comes from. Read with caution, the material is gruesome but the emotions are understandable.

Lost In Starlight (2025)

This Korean animated feature length film is the one not nominated for an Oscar in 2026, and while I am almost certainly in the minority, maybe even alone, I liked this much more than the ever so populare K-Pop Demon Hunters. Would be astronaut Nan-young (Kim Tae-ri) has dedicated her life to being selected as a member of the next expedition to Mars, following in the footsteps of her mother who tragically died there in a natural disaster. But when she meets retro tech guru Jay (Hong Kyung) by chance, she discovers a whole new side of life, that will lead to a connection that traverses the solar system. A big aspect of the film’s visual look is clearly anime-style but which captures the kind of positive glimpse of a future world that science-fiction appears to have discarded wholesale in recent years. It’s something akin to more of the same but with changes: it’s a world of holographic displays and garish advertising, people overusing their phones (or equivalents) and using the best that scientists can create to set up a habitat on Mars, but it’s also a world of rainy streets, familiar cityscapes, people going gaga for retro tech in a trendy fashion and good ol’ fashioned communications through aerials dug into the ground. In fact, Lost In Starlight feels like a love-letter to analog in a lot of ways, to old forms of tech that cyclically come back into fashion, with a late-in-the-game hallucinogenic sequence really making the point about the longevity of vinyl. It’s use of tightly cut montage techniques are also stellar, giving the film a needed sense of vibrancy even when it might otherwise not seem like it has such a thing. Speaking as a lover of things that are mechanical, it was fun for me, and better than the plot that runs through it, which was fine, and for an animated movie good even, but nothing to write home about.

Heart The Lover by Lily King

First of all, I loved this book. It is the familiar genre of young love and decisions made that lead to regret later in life. Truely, it does feel like a miracle that the person you love at 20 is the same person you love at 70, and these deeply passionat love stories that harken back to college are part of a classic genre that I enjoy. This one involves a triangle--also a classic. The book opens in the 1980's with three friends, Casey, Yash, and Sam. Casey dates Sam in college and it ends badly, he leaving her and it being the 80's, there is no way to keep in touch. Then Casey and Yash get together, even though it causes issues for Sam and Yash--the whole I don't want her but you can't have her issue that can be so destructive. Suffice it to say that Yash is communication impaired, and Casey is in a bind, and so their relationship, which is full of strong feelings that certainly feel like love to both of them, ruptures. Casey is unable to forgive Yash, but goes on the find love and family and all that is good in middle age. The book ends years later around Yash's hospice bed where all the old secrets and resentments get sorted through if not completely resolved, and there is so much to love about how it all gets sorted, and so many cautionary tales about what not to do in your own love life, but do we ever really heed that advice? Not as often as would be ideal would be my assessment. Well, read this and enjoy. It feels very real to me.

The Singers (2025)

This film is nominated for a 2026 Academy Award in the Live Action Short category, which is filled with interesting nominations this year. What is notable about this is that it is a modern and updated version of an Ivan Turgenev short story of the same name. It was published in a collection of short stories and dates to 1850. In the text, a group of gruff men at a bar finds connection by baring their souls in an impromptu singing competition. In an interesting twist, the filmmaker was inspired to adapt the old work when juxtaposing it with a modern medium. The only thing that I have read by Turgenev is Fathers and Sons, which is a reflection on that relationship and is very good--I read it a decade ago when I was headed to Russia as a tourist destination, something not to be repeated and not a good idea at this point--which is a shame on many levels, but Russia has a deep and interesting history and is home to many beautiful treasures. In any case, I digress. Ivan Sergeyevich Turgenev was a Russian novelist, short story writer, poet, playwright, translator and popularizer of Russian literature in the West. His first major publication, a short story collection titled A Sportsman's Sketches, was a milestone of Russian realism. He is now dwarfed by Dostoyevsky and Tolstoy--rightly so--but he was a master at what he did, especially when exploring male relationships. This modern take on that mid-nineteenth century story is one that is as moving as it is bizarre. Men who are into a world unto themselves come together with the group activity of a singing competition and become a little bit less alone as a result.

Bog Queen by Anna North

I very much enjoyed this book--there are several layers of things going on, and it is beautifully packaged with a gorgeous cover. This is first the story of Agnes, a gifted American forensic anthropologist working in England, who’s early career, unsure of where she is going in life, and not getting the support from her family and friends to figure it all out. She is called to investigate a bog body pulled from the peat. At first it’s believed to be the corpse of a 20th-century murder victim, but Agnes quickly discovers that this remarkably well-preserved woman has lain below the murky surface for millennia, waiting for someone to uncover her secrets. In alternating chapters, the novel flashes back, telling the story of a young druid living in the earliest days of Roman-occupied Britain. She’s new to her role, and still discovering how best to use her power within her community. Though separated by time, these two women embark on parallel journeys, each discovering a world beyond their imagination. The book moves back and forth between who the bog woman was and what is happening in the present to figure her out. Agnes is most comfortable with what her role is vis-a-vis the dead and representing them in the present. There is a subtext of conservation, protecting bogs and their flora and fauna, and how understanding th past helps us to move forward in the present. All well told and a great read.

The Art of Protest

QuiltCon 2026 was full of quilts that expressed opinions about human rights, the erosion of democracy is the United States, the disappearance of people of color, and as a member of the Minneapolis Modern Quilt Guild, the terrorism being rained on us by our own government is very real. Quilting has always been about expressing yourself, and there has always been an a strong element of standing up for human rights and human dignity. The current administration has tried to make that seem political, but it is really about morals and values. I completely identify with the meme "Radicalized by Common Decency", which it turns out, is not all that common these days. Here is what the internet says about the meaning of that: "Decency is behavior that conforms to accepted standards of morality, respectability, and modesty. It acts as a foundational, everyday moral baseline for social interaction, fostering dignity through kindness, empathy, and respect. It is often described as the "common decency" required for proper, polite, or ethical, respectful behavior." Not happening in the White House these days, and no one, not my elected officials at least, are saying boo about it. I call or write regularly and not once have they advocated the decent thing. Our schools are gutted and we have successfully made Iowa an unsafe place for women of reproductive age to live, we are sealing our own fate by our lack of common decency, and we are now gutting our workforce by being unwelcoming of immigrants who do the labor that our citizens shun. In the meantime, we protest. I bought this quilt at QuiltCon because I know the woman who made it. She was an exchange student in Germany many years ago, and she was impressed by how strongly they teach their hisotry to avoid repeating it. We in the US are trying to bury ours, and instead it will bury us.

Radium Girls by Kate Moore

This is a book of pain--chronicling the horrors of what happened to young women who worked with radium and very painful to read the account of it. Almost every page contains an example of suffering: a disintegrating lower jaw that falls from its owner’s mouth onto the breakfast table; a sarcoma the size of a grapefruit growing on a chin; skin rendered so thin that it splits open at the touch of a fingernail. Those afflicted were almost exclusively young women who had, in the two decades after 1917, been employed by two separate companies (in New Jersey and Illinois) painting watches, clocks and military instruments with a luminous mixture containing a tiny amount of radium. They were paid well for what was regarded as glamorous and exciting work; some would find themselves earning more even than their fathers. What they did not know then was that they were also ingesting a substance that, once it had infiltrated their bones, would work slowly but surely to destroy them from the inside. The second half of the book is about the physicians who finally figured out that while a small amount of targeted radiation could cure a patient, the amount the women ingested was poisoning them and once that was discovered, the lengths that the company went to to avoid compensating them, as well as not preventing it from happening to others. Their eventual success in court led to reforms in the work place that made it possible to work more safely on the Manhattan Project, and with radioactive material in the future. It is a harrowing tale and a difficult read.

Perfectly A Strangeness (2024)

This quiet and strangely beautiful short documentary is nominated for a 2026 Academy Award. The film maker has done this before, or something like it. In her 2017 feature length documentary Cielo, which was also shot in Chile’s Atacama Desert, her cameras follow the simple, sauntering gait of the donkeys to allow audiences to take in vast mountainous terrains by day and by night the marvels of the Milky Way filling the Atacama Desert sky. She is aware that light pollution that keeps most people from seeing starlit galaxies at night, recalled the first time she saw the cosmic movements in the Atacama Desert nighttime sky. This time around we follow the donkey trio, where they come upon a building--no people, no vehicles, just the building. Her cameras did interior shots at the Paranal Observatory run by a consortium of European astronomers at around 2,635 meters above sea level. The whole experience of watching these eerily calm animals saunter in and around the observatory, never seeing anything--no food, no water, where do they get sustenance? It left me with more questions than answers, but also at peace.

Myers + Chang At Home by Joanne Chang

This cookbook, which came out in 2017, but my Facebook Cookbook Group featured it as the cookbook of the month in November, 2025, at which point I found it. Joanne Change has written several baking books, of which Pastry Love is the one we have cooked out of most, but this one is full of recipes from the upscale Chinese restaurant she and her husband have in Boston. She grew up eating only Chinese food and was well into elementary school before she had more typically American food, so she comes from a different food tradition than many of us do--she met her spouse when she was cooking in a restaurant after college, and this is a blend of what they like. So if you are looking for a more traditional approach this is not it--Kenji's The Wok is the book for you, or give Fuchsia Dunlop's oeuvre a whirl--Every Grain of Rice is a good starting place. What I very much appreciate about this book is the non-traditional dipping sauces they have because they are unlike others, and we as a family really love a good dipping sauce. We often buy frozen dumplings at the nearby Asian market, and are satisfied with the quality when we steam then fry them up, but then have to cobble together an acceptable sauce, and having another place to start to do that is a big plus to our cookbook collection. I was able to buy this used for under $10, which is another plus.

Marty Supreme (2025)

On the surface this film, nominated in 9 categories for an Academy Award in 2026, including best casting, tells the story of a gifted but impoverished table tennis hustler in 1950s New York, who wants nothing more than to leave his parent’s shoe shop behind to showcase his ping-pong skills on the world stage. Played at full throttle by Timothée Chalamet, Marty Mauser is a motormouth, sharp in both wits and tongue. He’s selfish, manipulative, and not particularly nice to women, but boy can he smack a ball over a netted table. In fact, there are really no likable characters in this movie--while I can tolerate that for the greater good of the message, that too is lacking here. So, Marty goes to London for the British championship after cobbling together enough cash, where he ends up playing the world’s best, Koto Endo (played by the real-life player Koto Kawaguchi) from Japan. It goes badly, so Marty returns to America, determined to have another stab at glory, all the while shunning anything that looks like real work or responsibility. To do that, he just needs to raise more money. In the meantime, he impregnates his former flame, who happens to also be married to another man, seduces and exploits a sad, faded movie star, and lets down his best friend as he begs, borrows and steals his way back to the Big Leagues. The antics that he goes through to get to Japan for another chance are the core of the movie, and only at the end do we see where he begins to have a chance to make it big. The character Marty Mauser is loosely based on the real-life ping-pong hustler Marty Reisman—a fascinating, colorful and complex man. He died in 2012 at 82 years old of lung and heart complications and at one point was the champion of the world. Chalomee as Marty is believable if unlikable and stands a shot at Best Actor, but really, he should have won last year for the way he completely inhabited the character of Bob Dylan, and not for this.

West With Giraffes by Lynda Rutledge

This was recommended to me, and somehow I didn't manage to find the magic in it. One hundred and five-year-old WWII vet Woodrow Wilson Nickel realizes his days are numbered and urgently begins writing down his memories of traveling from New York City to San Diego with a pair of young giraffes. They are headed to the San Diego Zoo, which is starting to build it's animal collection to what becomes a world renowned zoo. Most of the book takes place in October 1938. America is still reeling from the effects of the Great Depression and the dust bowl that devastated the heartland. Woody was then a 17-year-old orphan from the Texas panhandle who has fled the dust to live with his uncle in NYC. A powerful hurricane leaves him orphaned once again. That same hurricane hit the ship the giraffes were traveling on and left the female giraffe with a wounded leg. Really, it’s a miracle the giraffes survived at all and that just added to their mystique. The giraffes are celebrities, a bright spot in a grim world, and the press adoringly chronicles their cross-country journey. There are a surprising number of hurdles to overcome when transporting very large animals over a very large distance, and you can imagine some of the regional challenges that might come up, all of which are not surprisingly overcome, but are heart stopping at times. Lots of people loved this book and I liked it well enough.

A Friend Of Dorothy (2025)

I loved this. There is a lot going on here, and it is packed into a short film. After losing his football in her yard, black teenager JJ finds a friend in Dorothy, an elderly white and middle-class widow who lives by herself and needs aid in opening a stubborn can of prunes. Their platonic bond is strengthened as Dorothy—who owns a wide library of plays and once funded the education of aspiring drama students along with her late husband—fosters JJ’s inner theatre kid by requesting him to read out a play to her whenever he visits. It is a no-brainer that Dorothy acts as a maternal figure and looking out for JJ’s best interests. Simultaneously, the movie serves as a love letter to the arts. Dorothy helps the young, budding actor out of his shell and gain confidence in his true passion—encouraging him to consider theatre as a serious career rather than merely pursuing it as a hobby. And this is the part I missed until I read a review of the movie--the colloquial term ‘A friend of Dorothy’ which initially was used as a code within the community during an era when homosexuality was deemed illegal, also takes on a renewed meaning here. Due to their friendship, open-minded Dorothy introduces her new friend to n historic play which challenges homophobic persecution and celebrates queerness or being ‘different’, further allowing JJ to be comfortable in his own skin. Then there is the way Dorothy's family treats her, which is as a doddering old woman to be placed in supervised living so they can worry about her even less than they do now--no wonder she fostered her friendship with JJ--not only did he open her prune can for her, the one thing she can't do that she needs to stay in her own home--but he also sees her as a teacher and a person worthy of his attention. This is nominated for the 2026 Academy Awards in the Short Live Action film category and is well worth your time.

Stitched Shibori by Jane Callendar

Shibori is a traditional Japanese resist-dyeing technique that creates beautiful patterns on fabric by binding, stitching, folding, twisting, or clamping cloth before dyeing, usually with indigo. The bound areas resist the dye, leaving white patterns, with methods like itajime (clamping), kumo (spider), and arashi (pole-wrapping) producing unique effects. The unpredictability and integration of imperfections are key to the art, making each piece unique, and it's used on natural fibers like cotton and silk. This book is a fantastic How To book. The following comes directly from her website, with lots of information. Resists can be created by pulling up the threads of prepared hand stitched fabric. Any number of looks can be achieved and floral, organic, geometric patterns and textures are all within the realms of hand stitching. On a single layer of fabric hira-nui shibori can produce shibori ‘drawings’, designs or linear patterns and can be used to create sugi-nui stripes. Working on folded fabric with hishaki-nui stitching which drifts away from and then back to the fold, differing symmetrical shapes occur to form linear patterns. A more considered approach results in many variations of Hinode, the Sunrise pattern. Compositions can be created with ori-nui shibori which is also traditionally used to create the marvellous Tatewaku pattern of undulating lines. ADVANCED STITCHED TECHNIQUES Advanced stitched shibori techniques include a range of miru shibori shapes and the circle is used in various placements for Karamatsu, the Japanese larch pattern. The ori-nui technique is further developed to produce elliptical awase nui shibori and another development which brightens the resist is kamiate shibori. Both approaches can be used for the complex shippō-tsunagi pattern of linked circles. Any number of renditions can bring about exciting new motifs.

Train Dreams (2025)

Paraphrasing one of my family members, nothing much happens in this movie but it is beautiful to watch. It is nominated in several categories for the 2026 Oscars, including Best Picture (no chance) and Best Cinematography (also no chance I think, but it has a way better shot at it because the film is gorgeous to watch in a lush outdoor kind of way). This is a film of echoes--across years, across place and across time. It generation-spanning, which means that there is a lot of change afoot and so as one gets older, one feels left behind, from a time and place that no longer exitsts. It takes place in the Pacific Northwest in the early 20th century, and life & death intertwine in the duality of the symbol of the train, something that represents both progress and destruction. The railroad tracks that expanded their way across the United States in the 20th century both made the world smaller by connecting people and altered the landscape by cutting down trees that had been there for centuries to do so. Working from a novella by Denis Johnson, the film telsl a story of an ordinary life in an extraordinary way, a man who believed his existence was shackled by guilt and trauma. A birth-to-death character study, it is a meditation on the beauty of everyone and everything, how we are connected to both the earth and those who walked it before us. Joel Edgerton does a remarkable job playing Robert Grainier, a stoic man who marvels at the changing landscape in his work as a train laborer, someone who cuts down trees, pounds tracks into the ground, and even helps build bridges, often away from home for months at a time. Much of his story is told via a narrator, whose voice is something both soothing and powerful at the same time. It has A River Runs Through It vibe. He speaks for the often-silent Robert, telling us about formative encounters on the job, including a key moment when a Chinese immigrant was murdered. Robert considers for the rest of his life if his inaction at that moment led to the tragedies that would befall him. Though it is set about 100 years ago it is barely recognizable, and in the subtext drives home the fact that violence and racism are embedded into the fabric of the country and what is happening in 2026 America is a slippage back to that time and place.

Good Things by Samin Nosrat

Wow, this is everything that you would expect from Samin Nosrat and more. Her first book, Salt Fat Acid Heat, is a game changer for how to think about cooking and food preparation. The unique thing about that book is that there are not so much recipes as there are ingredients that go together and how to balance the dishes that you make. So this cookbook is a bit different because there are traditional recipes, especially for sauces and dressings, but also other dishes--but what makes this different is that once you make the back bone recipe that are a myriad of things to do with it. So it is a combination of traditional and what I think of that is unique and special about this chef's approach to food. This is a book that should be read before you dive into it--she has a style that is well worth immersing yourself in before you take a stab at replicating what she has on offer. I highly recommend this, especially if you want to experience this fun way of approaching and thinking about feeding yourself, your family, and your friends.

Butterfly (2025)

This short animated film is nominated for the 2026 Academy Award in that category. It depicts the life of Jewish French swimmer Alfred Nakache, who competed in the 1936 Berlin Olympics in Nazi Germany. It begins peacefully enough. In the sea, a man swims. It is quite beautiful at first. But as he continues, memories come to the surface. From his early childhood to his life as a man, all his memories are linked to water. Some are happy, some glorious, some traumatic. This story will be that of his last swim. It will take us from the source to the river — from the waters of childhood pools to those of swimming pools — from a North African country to the shores of the Mediterranean in France — from Olympic stadiums to water retention basins — from concentration camp to the dream beaches of Reunion. He experiences glory and humiliation. The joy is from his love of swimming--the butterfly stroke--and he is denigrated for his religion and the color of his skin. It could not come at a better time, when the United States government is killing people based on the color of their skin. Again.

The Personal Librarian by Maie Benedict and Victoria Christopher Murray

This is an ordinary fictional biodrama about a truly extraordinary woman. So it is well worth reading even though it is not spectacular literature. This tells the life of Belle da Costa Greene, born Belle Marion Greener, who was a Princeton-educated librarian who lands a high-profile job with steel magnate J.P. Morgan. She had an illustrious career that was all the more remarkable because she was a woman. She successfully out maneuvered everyone to build a world class and widely renowned collection that went from private to publicly available after the death of J.P. Morgan. Even more remarkable is that what J.P. and the elite New Yorkers she encounters do not know is that Belle is a Black woman passing as white. Belle quickly learns that being white will not allow her to overcome prejudices against women working in the male-dominated field of art and rare book collecting. She also learns at a party at the Vanderbilt mansion that women in this world are bold and use flirtation as social currency, an approach that runs counter to the modesty and invisibility Genevieve, Belle’s mother, has always advised. In several flashbacks, the reader learns more about Belle’s history. Belle’s parents, Richard and Genevieve, had a promising start in life. They were free blacks before the Civil War, and in the brief but heady time of Reconstruction, they had great opportunities. Richard, the first Black man to graduate from Harvard, married Genevieve, the beautiful and ambitious daughter of the elite Fleet family of Washington, D.C., and moved his family to South Carolina so he could work as a philosophy professor at an integrated state university. The family later left under threat of lynching when Reconstruction ended in the South and the school became segregated. Genevieve never forgot the precariousness of that time. Once the family moved to New York, she listed the family as white to avoid ejection from their fine New York apartment. When Richard discovered this lie, he abandoned the family. From that moment, Belle became the focus of Genevieve’s ambitions to secure the family’s financial future—by passing them as white. It decribes the ins and outs of why this was both painful and profitable to do.

Bugonia (2025)

This movie is bizarre and in the end, unexpected. It is a casually black comedy in the vein of the Scandanavians. The driving forces are a paranoid beekeeper and a stereotypically amoral biomedical CEO. The apiarist, a sweaty, dirty, and smutty Teddy (Jesse Plemons), teams with his impressionable cousin Donny (Aidan Delbis) to kidnap Michelle Fuller (Emma Stone), believing she’s an alien from the Andromeda species intent on destroying humanity. Their theory comes from conspiracy podcasts, crackpot online sources, and Teddy’s own experimentation. The pair’s plan will require them, in the words of Teddy, to cleanse themselves of their “psychic compulsions.” The success of the film requires the audience to make a similar suspension of belief. I did not love this, and I am also pretty sure I didn't quite get it, and so far it is in last place for me in the Best Film category. I even liked F1 a lot more than this, and I am no Formula One racing fan. It is an unusual movie in a year where there are quite a few unusual movies contending for awards, and Emma Stone is incredible, as per usual.

Sankofa by Chibundu Onuzo

The book, a Reese Witherspoon pick, is about a fiftysomething mixed race protagonist, Anna Bain. She is a Welsh-Bamanian (Bamana is Onuzo’s fictional west African state) who lives in London, and has a life time of belonging nowhere--she is constantly confronting notions of difference and belonging. After Anna's mother, who raised her, dies, Anna uncovers a diary in her mother's belongings that was written in the late 1960s and belonged to Francis Aggrey. Aggrey was a student from the fictional Diamond Coast; while studying in London, he became part of a set of young African scholars agitating for their native countries’ freedom from colonial rule. Through excerpts from these diaries, the plot rapidly delivers us to Anna’s discovery that Aggrey is her father. After his studies, Aggrey returned to his homeland. There he transformed himself into a revolutionary who became the first president of the newly independent Bamana – a country that bears more than a passing resemblance to Ghana. The novel briskly tracks Anna’s wrestling with feelings of abandonment and loss, and follows her literal and figurative journey to try to connect with her father. It is quietly thought provoking, which for me is a hallmark of the Reese picks. I continue to enjoy her picks and working my way toward 100% completion.

Song Sung Blue (20250

I watched this because Kate Hudson is nominated for Best Actress in this, which is the only nomination the film received. She and Hugh Jackman do all the singing in this, and having grown up with two parents who loved Neil Diamond, I have familiarity with his music and they do a fantastic job of impersonating singers who impersonated him. The story is not entirely a happy one. It starts off well, though. This is based on a documentary of Lightning and Thunder, a couple in Milwaukee who channeled their love of music into a passion project that became a Neil Diamond tribute show. Mike is a recovering alcoholic Vietnam War veteran who’s tired of singing half-hearted Don Ho covers at the Wisconsin State Fair and elsewhere. He wants to do something different and Claire, who does Patsy Cline, is intrigued by his passion. Their chemistry is instant, they become a couple, and have real small time success performing together with some help from their friends. Then a tragedy occurs--really for both of them, and they have to work to come back from that. The music is fun, the script is a good one, and the performers do it justic.

Things In Nature Merely Grow by YiYun Li

Even when compared to other memoirs that cover the landscape of a personal response to tragedy, this is a standout. I have been a mental health professional for 40 years and I have heard a lot of tragic stories. This stands alone. Her experience is so particularly moving and painful that I would say she really opens her broken heart very wide-- she writes about the suicide of her 19-year-old son, James, in 2024 after having healed --- to an extent --- from the death of her 16-year-old son, Vincent, who did the same in 2017. It’s devastating yet so practical, humbling and numbing that it will take readers down many paths of their own and keep this book on their shelves as a message for grief in all shapes and sizes. Reading through her understated and clear eyed way of living with her pain will help you stop in your tracks and try to face the next time anyone you love upsets you with gratitude. To see them is to have another chance to appreciate them, something she no longer can do. It is a reminder to live each day fully and to try to find beauty even where it might be deeply hidden.

Jurassic World: Rebirth (2025)

This is nominated in one of the action movie categories for the 2026 Academy Awards, which is where this whole series of movies belong. The movie, as you might suspect if you have seen even one of the myriad of previous Jurrasic movies, is the situation where people are in danger of being devoured by freakish, mutant dinosaurs--that is pretty much it. But it takes an awful lot of slogging through the jungle, literally and figuratively, to get there. ANother thing about it is that they are not wanting for talent--however, a wildly overqualified cast can only do so much with what’s not on the page. Scarlett Johansson, Mahershala Ali and Jonathan Bailey do an excellent job at gawking at oversized creatures intent on eating them, runnning to keep one step ahead of them, and hanging precariously from things when required, but we don't really get to know them, beyond one of them is there for the science, and three of them are there for the money. These blovkbuster stars seem game for both the silliness and the physical rigors of making a blockbuster like this but we do not get to know them, despite some long and plodding coversations throughout the movie. They mainly just sit around explaining things to each other.

The Sour Grape by Jory John and Pete Oswald

This is from a series known as Food Groups, and this is my first foray into it. My youngest son works in an elementary school and he has a button down shirt featuring the characters in this book--really fun. I loved this story about a grape who has a difficult experience as a young grape that sours him on others for quite some time--up until when he has a series of unfortunate events that make him very late for a date, and is met with a disgruntled friend--he feels unfairly judged, and it gives him the insight that maybe something went wrong in his pivotal event--which he discovers is true--and that maybe it is better to forgive and move on rather than hold on to the resentment. Really nice message and advice.

Blue Moon (2025)

This is a sad one. It is nominated in several categories for an Oscar in 2026, which chas been a surprisingly fruitful year for interesting big budget films. This one is intimate and raw. Ethan Hawk does a masterful job of portraying the heart and soul of the writer through one of the last nights in the life of Lorenz Hart, who was once one of the most acclaimed Broadway songwriters on the scene before fame and passion stopped returning his calls. He’s now the drunk at the end of the bar, the guy who gets there first and leaves last, and the one who can barely hide the pain behind his non-stop commentary on film, Broadway, and everything else around him. THe director, Richard Linklater, has crafted one of his finest docudramas, a consistently fascinating exploration of the frailty of the artist, buoyed by one of Ethan Hawke’s most remarkable performances.

The Birth of Korean Cool by Euny Hong

There is a lot to learn about Korea in this memoir. Today, the South Korean capital Seoul is one of the most modern on the planet while North Korea, historically the more prosperous half of the Korean peninsula, lives on the edge of hunger. It's easy to forget that, in the 1960s, South Korea's per capita GDP was less than that of the socialist paradise to the north, or of countries such as Ghana. Even as late as the 1970s, there was little to choose between living standards in Seoul and Pyongyang. Today, South Korea is the world's 15th largest economy and London worker bees would buzz with envy at the superfast internet connection their counterparts in Seoul enjoy on their air-conditioned subway journeys to work, all courtesy of enlightened government investment. The author and her family moved back to Korea in 1985, and in the course of describing her life there, she also goes on to bust many myths in her highly entertaining account of how South Korea, once one of the world's poorest and least fashionable countries, became a cultural superpower. One is that private enterprise is invariably a more effective driver of growth than government action – 25% of venture capital in Korea in 2012 came from the government – and that government intervention makes people lazy. May we all learn our lesson.

The Devil Is Busy (2025)

Here we are on the front lines of the war on women. While the sex trafficking of underage women by powerful men is minimized by the current administration--we can all guess why that might be--they are waging an equally destructive war on reproductive health care for women of child bearing age. This is a front row seat into what that health care looks like in the post-Roe era. This is nominated for an Academy Award in the Short Documentary category. The film focuse on Tracii, a staff member at Atlanta’s Feminist Women’s Health Center—now renamed the Feminist Center for Reproductive Liberation—whose workday begins long before sunrise. Her mornings are marked by both practical vigilance—ensuring the safety of the clinic and its patients—and private prayer that sustains her through a job fraught with protest, legal restriction, high stress, and real danger. The film captures the tense choreography of daily life at the clinic: security guards patrol parking lots, staff screen patients to comply with increasingly complex laws, and protesters wield megaphones and scripture as tools of intimidation. Most telling is a man who literally murdered someone himself who spends his days telling women that god will not forgive them while he believes himself forgiven. The audacity and conceit of men is on full view here, once again giving Christianity a bad look, having fully strayed from the teachings of Christ. Yet amid this hostility, the documentary emphasizes compassion—the small gestures of reassurance that Tracii and her colleagues offer women at their most vulnerable moments.

The Hounding by Xenobe Purvis

This has been likened to many other stories, but a review that I read said it best. At core, this is an all-too-realistic fairy tale. There are five sisters, all of whom are on the verge of womanhood, about to leave the confines of the house they grew up in. The rumors are that they can turn themselves into hounds and that they hunt by night and are maidens by day. Who has more power than a girl on the age of being a woman, so multiply that by five, give them a bit of freedom, and watch the men in thier sphere try to make sense of them. Given how much the power of women still feels threatening today, imagine what that could mean 300 years ago? The fact that there is a move afoot to try to put that genie back into the bottle in America today, think Salem Witch trials with an are they or aren't they about them.

In Your Dreams (2025)

This was not nominated for Best Animated Film for the 2026 Oscars but I liked it so much more than Elio, which was--and really--this is going to be very unpopular--more than the K-Pop Demon Slayers movie that has been playing on a loop almost at my grandkids house, they like it so much. There is an "in the beginning" scene where Stevie is a young girl and her happy parents are taking a break from playing music together to make her breakfast. Fast forward to the present. Stevie is now in middle school. Her little brother Elliot annoys her because they share a room, he keeps trying to do magic tricks, and he does not recognize the conflict Mom and Dad are now experiencing. Mom is no longer performing with Dad. She is a teacher and is about to leave for an interview with a job that could mean a lot more money for the family. But they would have to move. Leaving their home in the suburbs is unthinkable to Stevie and Dad. The alternative, Mom’s leaving them behind to take the job, is unbearable. Stevie worries about the stress in her parents’ relationship. She makes breakfast but tells each parent the other one made it for them, to try to bring them closer. And then, as can only happen in an animated movie, Stevie finds a magical dreams book. When she and Elliot recite the incantation together, they find that when they sleep, their conscious selves can enter and change the worlds of their dreams. There is a recurring joke about the way Elliot’s white noise machine puts him into a deep, instant slumber. Over the course of the film, Stevie will learn to appreciate Elliot as a partner. And she will learn that she cannot fix everything, and that’s okay. More important, she will learn to see understanding and new opportunities inside what appeared to be insurmountable problems. It is a fun story line and beautifully animated, so while it did not make the final cut, it really is a good one.

Why Taiwan Matters by Kerry Brown

I am thinking of going to Taiwan and there is a dearth of information about the island nation as a tourist destination. Ergo I resorted to learning more about it's history and the complex triangular relationship between Taiwan, China, and the United States. The author asserts that the road to Taiwan’s peace and security runs through Beijing. The better the world understands this, the better informed we are to make decisions regarding this highly sensitive affair. This isn’t to say that Taiwan has no input in the matter – in fact, Taiwan is increasingly becoming detached from China as the generations pass on. Even though the native population of the island is dwarfed by the Han Chinese descendants, which is true on the mainland as well, they are not aligned with China culturally. A distinct Taiwanese identity, which has always existed in different forms, has emerged with greater vigor, especially after the pro-democracy reforms which started in the late 1980s and flourished in the mid-nineties with the election of Lee Teng-hui, frequently referred to as Taiwan’s “father of democracy.” This is an entry point to getting to know Taiwan.

Jane Austen's Period Drama (2024)

This is nominated in the category of Short Live Action for the 2026 Oscars, and it is very short (about 11 minutes--don't miss the blooper though so hang on a few seconds in to the credits), very funny, and available to watch on Kanopy, so free if your local public library subscribes. The opening scen is all too reminiscent of a scene straight out of Pride and Prejudice. A young woman, Estrogenia, is walking with Mr. Dickley on a gorgeous green hillside. He is telling her that his intended has run off with another man and he is therefore free to ask for her hand. He gets down on one knee, and mid proposal he realizes that she is bleeding from her nether regions. He is convinced that she is in need of a doctor and carries her home. Her sisters, Labinia and Vagiana, recognize the problem immediately. Where Estrogenia wants to explain, her sisters are adamant that talking to a man who intends to marry you about menstruation is off limits--rather they kill a chicken, play up the severity of the condition with additional carnage and celebrate when she survives than to reveal the real reason for the bleeding. The names are changed from an Austen classic to increase the hilarity, and it is all good clean biologically appropriate fun. Happy Valentine's Day!

Helm by Sarah Hall

I found this book through the New York Times Notable Book list, and while I enjoyed it, I am not quite sure that I completely go it. One thing is that the main character is wind, Cumbrian wind to be exact. The second is the time span, which is Neolithic times to the present, which is hard to fathom, but again, the wind is timeless. It changes in both quality and quantity over time, it is constant. Every era in the book has its own seeing; the same land, the same wind filtered through time-specific fears and hopes and work, time-specific attributes as well, from a neolithic world interpreted through animal behavior to the present with social media, pub menus, emails and the like. There is an undertone of what has changed and a little bit of why that would be, but it is the undercurrent of the story, not the story itself. It is wildly innovative, easy to read, and something to think about.

Sentimental Value (2025)

This movie is nominated in 9 categories for the 2026 Oscars, including Best Picture, Best Actor, Best Actress, Best Director, and Best Screenplay, which is an accomplishment in and of itself, and a rarity for an international film that is largely not in English. Joachim Trier has a reputation as an auteur director and this film expands on that—there is an Ingmar Bergman feel to it, which we would now call depicting the effects of generational trauma and in Berman’s time we called it Scandinavian noir. Nora and her sister Agnes have an absent father, Gustav, who is a faded but famous film director. Their mother has died, and Gustav comes home to settle the estate and tries to reconnect with his daughters. He has written a part for Nora—it is an olive branch that she pushes angrily away, and so he tries to go another way with it. Everyone is so clearly damaged and so unwilling to compromise, all to their collective detriments, and while it is painful, oh so hard to watch, it is also brilliant and that is the feeling that stays with you days later after watching this and letting it settle with you for a bit.

Sipsworth by Simon Van Booy

I read this because it was a Parnassus book recommendation, and while I have not read all of them--afterall, there are a lot of Fridays in the year, it is hard to keep up, and while I read quite a lot, it seems that I have almost never read the thing that they are recommending. The added thing to love about this is that it has some shades of The Correspondent about it. They center on elderly women who have lost a spouse and a child. The women are unexpected and that unfurls across the novel. Helen Cartwright returns to the village of her childhood to grief the loss of her family and her youth. She leads a monotonous life by design: it keeps her from dwelling on the past and she is waiting for the end. Then, she encounters an unwanted visitor in her home—a mouse, a mouse that she inadvertently brought home and, after some unsuccessful and half-hearted attempts to get rid of the creature, she grows attached to him. Naming him Sipsworth, she thinks she has finally found someone to listen to her. She has something to focus on, and after she establishes that there is no one but her who will care for him, she has something to live for. Much of Helen’s backstory comes out via her stories to Sipsworth, revealing snippets of a life well lived. And the gaps in Helen’s tales reveal as much about her character as the parts that she chooses to state. The prose is simple yet lovely; the story sneaks up on you and gains your affections, as does the folly of befriending a field mouse. It’s a tale of aging, grief, and the mundane details that make up a person’s existence after great losses. These pieces reveal something profound about the human need for connection and how to savor our connections. It is a generous, vibrant, and quiet novel.

Zootopia 2 (2025)

If you loved Zootopia The Original, then it is very likely that you will find Zootopia 2 every bit a zany, delightful, and heartwarming. There are animal-word puns and sly references to cultural touchstones from streaming platforms like EweTube and HuluZoo, where you can watch shows like “Only Herders in the Building,” to a quick shot inspired by one of the most terrifying moments in “The Shining.” If you love that stuff, it is all here for you, only more so. Literally, the gang is all here. Those heroes are, again, the opposites-in-temperament Judy Hopps, a bunny who is bright, enthusiastic, and fiercely committed to justice, and Nick Wilde, a fox who is a former con artist, a loner, and fiercely dedicated to avoiding danger. They met on opposite sides of the law in the first film, but now Nick has joined the police department, and they are partners. They are partners with a propensity for trouble and doing good, so of course hey immediately get into trouble after ignoring orders from Police Chief Bogo and end up on a wild chase after a perpetrator in a catering van labeled “Amoose Bouche.” Bogo threatens to separate them if they get into trouble again. So, of course, they get in trouble again. It is definitely the ends justify the means sort of plot and it is pretty fun and zany along the way. There is some mob boss undertones with how that can mess up your family, and there are some not so hidden messages about trust, communication, and things that are worth putting your life on the line for. That resonated for me in the aftermath of the public execution of Alex Pretti, an ICU nurse who brought lots of joy and happiness to his work at the Minneapolis VA, who put himself on the line for his neighbors when ICE came to town and kidnapped people in violent ways without warrants as a witness and ended up murdered by villains hired by the federal government to wage a revenge war. He is a hero who paid the ultimate price, as the veterans he served would say.

They Love Each Other

Merry run around, sailing up and down---- Looking for a shove in some direction--- Got it from the top, it's nothing you can stop--- Lord, you know they made a fine connection--- They love each other, Lord you can see it's true--- Lord you can see it's true, Lord you can see it's true--- He could pass his time around some other line--- But you know he chose this place beside her--- Don't get in the way, there's nothing you can say--- Nothing that you need to add or do--- They love each other, Lord you can see it's true--- Lord you can see it's true, Lord you can see it's true--- Its' nothing, they explain it's like a diesel train--- Better not be there when it rolls over---- And when that train rolls in, you won't know where it's been--- You gotta try to see a little further---- They love each other, Lord you can see it's true--- Lord you can see it's true, Lord you can see it's true--- Though you'll make a noise, they just can't hear your voice--- They're on a dizzy ride on you're cold sober--- They love each other, Lord you can see it's true--- Lord you can see it's true, Lord you can see it's true--- Hope you will believe what I say is true--- Everything I did, I heard it first from you--- Heard your news report, you knew you're falling short--- Pretty soon won't trust you for the weather--- When that ship comes in, you won't know where it's been--- You got to try to see a little further--- The Grateful Dead were the back beat of our youth.

Come See Me In The Good Light (2025)

This is wonderful. Yes, it is about recurrent cancer. Yes, someone dies. Add to all this, as if it is not enough, that it is ovarian cancer, which is notoriously deadly and something that I have had. I am wholeheartedly recommending this, because it is deep and thoughtful, it depicts a head on approach to what is happening and there is still joy and love and a lust for life. Andrea Gibson is a spoken word poet and their wife is fellow poet Megan Falley. In 1921 they are diagnosed with ovarian cancer, which has inevitably spread. That is often, if not almost always true by the time one has symptoms. Then she has the terrible misfortune of having a platinum resistant tumor and she recurs within 6 months. This is the point at which there really is very little hope, but she wants to live. She wants to try everything, and she does. The film is as intimate as it gets, following Gibson into doctor’s appointments, curling up with them and Falley in bed, and eating meals soundtracked by the laughter of close friends. This is not fly-on-the-wall observant, but rather seat-at-the-table active. Structured also through Gibson’s reading of their poems, spliced in when narratively relevant, we come to see just how much they are synonymous with their work. There is no separation of the art and artist, as Gibson’s life is unabashedly unfiltered in their prose. So yes, it does not end well, but it is a beautiful tale well told, and as they say themself, we all face this, it is only a matter of when, not if.