Sinners (2025)

This was the winner in the category of most Oscar nominees in 2026, and also for the most nominees ever. Even considering that one of them is in a new category, it is an impressive showing. I haven't watched every movie in every category as of yet, and I haven't seen what might have made it but didn't (although a number of them are in categories for which there is a short list, so we can see some of what are the "Also Rans"), but it is a good movie. Is is also A LOT. It has a lot of violence, a lot of murder, a fair amount of sex, a lot of music, some romance, and a lot of symbolism all turned up to the loudest level. It is about black people in the Jim Crow South, so it is set in a time where racism is also a lot. Set in 1932 Mississippi, Sinners follows two twin brothers known as Smoke and Stack as they return home after working for the bootleggers in Chicago. Both twins are played by Michael B. Jordan, who plays the brothers in such a way that it becomes easy to tell the two apart based on their subtle mannerisms. The costume department helps with the visual cues, with Smoke wearing blue and Stack red, but by the halfway point, you don’t need the visual cues to help know which twin is which. Huge testament to Jordan’s acting is that tell them apart. I am not going to go in to the horror aspects of the plot beyond saying I pretty much never watch horror movies and this was well done. Music plays much more of a key role than I was expecting. It’s not only there to set the tone and mood of the era, but it’s actually a plot device. This is a romping, stomping ode to the 30s era Southern Blues, and the composer, Ludwig Göransson, really tapped into its spirit both with his score and the compositions heard within the film itself. A lot of the music was recorded on-camera, giving it a raw and unfiltered feel. The highlight of this musical talent is for sure Preacher Boy, played by first-time actor Miles Caton. Wow, what a discovery. Not only can the man sing, but his character, cousin to the twins, was the heart of the film in a way as an ambitious youth who yearns to play music, something that his preacher father does not approve of. This is worth seeking out, it is very very good.

Born In Flames by Bench Ansfield

I was really surprised by the story that this book tells--which is really about my naivete and lack of education rather than that it is surprising. This is the first book by a historian who debuts with a riveting and meticulous chronicle of the wave of arsons-for-profit that burned through America’s cities in the 1970s. The book focuses on the Bronx, which notoriously lost around 20% of its housing stock, though they argue that the borough is more of an example of a lesser-known arson epidemic that devastated neighborhoods of color across the country. Dispelling the racist myth that residents set the fires themselves, the author traces the confluence of financial factors that motivated absentee landlords to burn their neglected, deteriorating properties. These factors included high-cost, low-coverage state-sponsored insurance policies that debuted following the racial uprisings of the 1960s (when insurance companies abandoned riot-affected areas); insurance companies’ newfound practice of investing customer premiums for profit, which further inflated premiums to astronomical heights; and city budget cuts that decimated the FDNY. They chronicle not just the landlords who profited but also the tenants who, as they tracked the conflagrations’ block-by-block progress, fearfully went to bed with their shoes on; some were even burned out of more than one apartment. The book also unearths the tenant-organized activism, in collaboration with local officials and even some of the insurance companies themselves, that finally ended the fires. The result is an outstanding exposé of the predatory capitalist machinations behind the “Bronx is burning” saga. This is not so much a page turner as a book that raises the level of awareness of exactly how bad slum lords treated their tenants and how they maximized profits.