A Friend Of Dorothy (2025)

I loved this. There is a lot going on here, and it is packed into a short film. After losing his football in her yard, black teenager JJ finds a friend in Dorothy, an elderly white and middle-class widow who lives by herself and needs aid in opening a stubborn can of prunes. Their platonic bond is strengthened as Dorothy—who owns a wide library of plays and once funded the education of aspiring drama students along with her late husband—fosters JJ’s inner theatre kid by requesting him to read out a play to her whenever he visits. It is a no-brainer that Dorothy acts as a maternal figure and looking out for JJ’s best interests. Simultaneously, the movie serves as a love letter to the arts. Dorothy helps the young, budding actor out of his shell and gain confidence in his true passion—encouraging him to consider theatre as a serious career rather than merely pursuing it as a hobby. And this is the part I missed until I read a review of the movie--the colloquial term ‘A friend of Dorothy’ which initially was used as a code within the community during an era when homosexuality was deemed illegal, also takes on a renewed meaning here. Due to their friendship, open-minded Dorothy introduces her new friend to n historic play which challenges homophobic persecution and celebrates queerness or being ‘different’, further allowing JJ to be comfortable in his own skin. Then there is the way Dorothy's family treats her, which is as a doddering old woman to be placed in supervised living so they can worry about her even less than they do now--no wonder she fostered her friendship with JJ--not only did he open her prune can for her, the one thing she can't do that she needs to stay in her own home--but he also sees her as a teacher and a person worthy of his attention. This is nominated for the 2026 Academy Awards in the Short Live Action film category and is well worth your time.

Stitched Shibori by Jane Callendar

Shibori is a traditional Japanese resist-dyeing technique that creates beautiful patterns on fabric by binding, stitching, folding, twisting, or clamping cloth before dyeing, usually with indigo. The bound areas resist the dye, leaving white patterns, with methods like itajime (clamping), kumo (spider), and arashi (pole-wrapping) producing unique effects. The unpredictability and integration of imperfections are key to the art, making each piece unique, and it's used on natural fibers like cotton and silk. This book is a fantastic How To book. The following comes directly from her website, with lots of information. Resists can be created by pulling up the threads of prepared hand stitched fabric. Any number of looks can be achieved and floral, organic, geometric patterns and textures are all within the realms of hand stitching. On a single layer of fabric hira-nui shibori can produce shibori ‘drawings’, designs or linear patterns and can be used to create sugi-nui stripes. Working on folded fabric with hishaki-nui stitching which drifts away from and then back to the fold, differing symmetrical shapes occur to form linear patterns. A more considered approach results in many variations of Hinode, the Sunrise pattern. Compositions can be created with ori-nui shibori which is also traditionally used to create the marvellous Tatewaku pattern of undulating lines. ADVANCED STITCHED TECHNIQUES Advanced stitched shibori techniques include a range of miru shibori shapes and the circle is used in various placements for Karamatsu, the Japanese larch pattern. The ori-nui technique is further developed to produce elliptical awase nui shibori and another development which brightens the resist is kamiate shibori. Both approaches can be used for the complex shippō-tsunagi pattern of linked circles. Any number of renditions can bring about exciting new motifs.

Train Dreams (2025)

Paraphrasing one of my family members, nothing much happens in this movie but it is beautiful to watch. It is nominated in several categories for the 2026 Oscars, including Best Picture (no chance) and Best Cinematography (also no chance I think, but it has a way better shot at it because the film is gorgeous to watch in a lush outdoor kind of way). This is a film of echoes--across years, across place and across time. It generation-spanning, which means that there is a lot of change afoot and so as one gets older, one feels left behind, from a time and place that no longer exitsts. It takes place in the Pacific Northwest in the early 20th century, and life & death intertwine in the duality of the symbol of the train, something that represents both progress and destruction. The railroad tracks that expanded their way across the United States in the 20th century both made the world smaller by connecting people and altered the landscape by cutting down trees that had been there for centuries to do so. Working from a novella by Denis Johnson, the film telsl a story of an ordinary life in an extraordinary way, a man who believed his existence was shackled by guilt and trauma. A birth-to-death character study, it is a meditation on the beauty of everyone and everything, how we are connected to both the earth and those who walked it before us. Joel Edgerton does a remarkable job playing Robert Grainier, a stoic man who marvels at the changing landscape in his work as a train laborer, someone who cuts down trees, pounds tracks into the ground, and even helps build bridges, often away from home for months at a time. Much of his story is told via a narrator, whose voice is something both soothing and powerful at the same time. It has A River Runs Through It vibe. He speaks for the often-silent Robert, telling us about formative encounters on the job, including a key moment when a Chinese immigrant was murdered. Robert considers for the rest of his life if his inaction at that moment led to the tragedies that would befall him. Though it is set about 100 years ago it is barely recognizable, and in the subtext drives home the fact that violence and racism are embedded into the fabric of the country and what is happening in 2026 America is a slippage back to that time and place.

Good Things by Samin Nosrat

Wow, this is everything that you would expect from Samin Nosrat and more. Her first book, Salt Fat Acid Heat, is a game changer for how to think about cooking and food preparation. The unique thing about that book is that there are not so much recipes as there are ingredients that go together and how to balance the dishes that you make. So this cookbook is a bit different because there are traditional recipes, especially for sauces and dressings, but also other dishes--but what makes this different is that once you make the back bone recipe that are a myriad of things to do with it. So it is a combination of traditional and what I think of that is unique and special about this chef's approach to food. This is a book that should be read before you dive into it--she has a style that is well worth immersing yourself in before you take a stab at replicating what she has on offer. I highly recommend this, especially if you want to experience this fun way of approaching and thinking about feeding yourself, your family, and your friends.