Adolescence is a turbulent period in the life due to all the new and
confusing situations you encounter. Most of the trouble is in dealing
with others while trying to figure out just who you are. This is a
tricky balancing act in even the best of circumstances.If all of that just brings up bad memories for you, avoid this film, because that is at the heart of it. It is also not a film for younger children because of that,
The story itself is not so unusual. Boy likes girl, but she of course likes another boy. And her best friend likes the boy who likes her. That is often the way it goes, even after adolescence.
In this version of the story, which is set in a Japanese city, the film greets us with a montage of urban
life after the sun has faded and the lights have just flickered on
providing the glow that can make night life possible. It’s that period
when responsibilities have mostly ended with the promise of things
possible wafting through the summer air. Ironically, the Olivia
Newton-John version of the song “Country Roads” is used as a backdrop
for the city scape and pervades the movie.
Eventually we follow a girl leaving a market
and accompany her home to a small family apartment. Shizuku
is enjoying her summer break by burying herself in books. But a mystery arises for the middle school student when a name on
the checkout card of a book she’s reading seems vaguely familiar. Sure
enough, the same name appears on all the books she’s checked out from
the library: Seiji Amasawa. She goes on to become enamored with a boy with the same last name (and the same family), who is a talented boy. They have to make choices that will seem all too familiar, but are well executed.
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