In this movie that is the dream world and the actual world. It opens with a drop-dead gorgeous sequence superbly shot by cinematographer Máté Herbai. A magnificent stag and a self-possessed doe, alone in a stunning winter landscape of bare trees and snowy ground, stand together, their bodies touching in a palpable connection.
When
we get to the real world, the film's main setting, a big-city
slaughterhouse, looks mundane by comparison (although beautifully shot. The cinematography is stunning throughout). And the
cows, whose brutal end we are soon to witness, look at us with wary,
pleading eyes, as if almost suspecting what is to come.
Looking
over this with a dispassionate eye from his second-floor window is
Endre (Géza Morcsányi), a lean, bearded individual with a withered arm.
He is the slaughterhouse's director, the man in charge of the organized
carnage. Mária (Borbély) is the new government quality inspector, a preternaturally
precise woman who turns out to have a fiendishly exact eye for both beef and the details of everyday life. She has an autism spectrum disorder that makes her stand out in a way she would rather not.
There
is a certain amount of attraction between these two, but both are
introverted, even formal. Without any skill in small talk or
socialization, nothing comes of this, with both Mária and Endre
retreating to their individual dissociated lives. Until fate takes a
hand.
The two are brought together by an investigating psychologist who routinely asks them about their dreams. Which is how Mária and Endre discover that they are both having the identical dream every night, both sharing the exact same images of stag and doe that began the film and that recur periodically from here on in.The cadence and story are so unusual, and lovely in a way.
The two are brought together by an investigating psychologist who routinely asks them about their dreams. Which is how Mária and Endre discover that they are both having the identical dream every night, both sharing the exact same images of stag and doe that began the film and that recur periodically from here on in.The cadence and story are so unusual, and lovely in a way.
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