This is the dark comedy of immigrant stories. The Nasmertovs, the family at the center of the book, have been in Brooklyn for 715 days--they were still counting the days, literally, as the novel opens. When the parents, Esther and Robert,
immigrate in 1991 with their grown daughter Marina, her husband Levik,
and their 7-year-old granddaughter Frida, they leave behind their son
Pasha, a socially phobic,up-and-coming poet who avoids all discussions of what he will do with his life and who is part black sheep, part source of
irritation and fascination. He takes to his bed often, and is the kind of guy who can suck the life out of a room.
This is a book you read for its vivid characters and language more than
plot. Panic abounds in biting
cultural and visual observations, as when Pasha, debating whether to
cede to his family's pressures to relocate to Brooklyn, reflects, "His
fellow countrymen hadn't ventured bravely into a new land, they'd
borrowed a tiny nook at the very rear of someone else's crumbling estate
to make a tidy replication of the messy, imperfect original they'd gone
through so many hurdles to escape, imprisoning themselves in their own
lack of imagination." He notes that even the food is uncannily similar,
"the only divergence being in abundance." It is both wonderful and manageable. Not too Slavic in it's length but just as sharp in it's wit.
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